The CyberPointers Chapter of ANG, of which I am a member, came up with an idea to make houses stitched by members of the various Special Interest Groups. I belong to the Hilton SIG. Luckily, the project stalled & I finally had time to stitch the house I had designed when the project was first announced. So, I’d like to welcome you to The Helen Ashland House, composed of stitches from Needlepoint Stitches by Jean Hilton.
Supplies:
18-count canvas, ecru; 10 x 10 stretcher bars; #22 and #24 tapestry needles
Thread/Color | Location | Stitch | Page Number* |
ThreadworX – 11212 | Outline of house and door | Half Cross | 36 |
Watercolours – 218 Ash | Body of house | Ashland Stitch | 36 |
Wildflowers – 118 Opal | Space between outline of house | Smyrna | 36 |
Wildflowers – 118 Opal | Area around large upstairs window | Smyrna | 36 |
Wildflowers – 118 Opal | Windows in door | Small Jessica | 9 |
Wildflowers – 118 Opal | Inner circle of upstairs window | Small Jessica | 9 |
Wildflowers – 118 Opal | Door | Elongated Smyrna | 45 |
Wildflowers – 118 Opal | Lunette, the half-moon space above door | Sprat’s Head, Flat Top | 55 |
Vineyard Silk Shimmer – S-537 | Outer circle of upstairs window | Large Jessica | 9 |
Watercolours – 251 Sunflower Seed | Trees | Offset Scotch | 38 |
Watercolours – 228 Honeydew | Grass turf (bottom layer) | Tent Stitch | |
ThreadworX – 10471 | Grass blades (top layer) | Wrapped Coils | 33 |
Flair – F502 | White sheer window curtains | Straight Stitch | |
River Silks 4 mm Ribbon – 237 Brown | Brown window drapes | Oval Jessica, 1 around only* | 9 |
Pebbly Perle – P061 | Blue sky | Helen’s Lace | 22 |
Watercolours – 256 Barely Blue | White clouds | Helen’s Lace | 22 |
* From Needlepoint Stitches by Jean Hilton; Some were modified to fit the available space.
** More familiarly known as the Crescent Stitch from Stimulating Stitches by Jean Hilton (page 9).
The 2 predominant stitches are Helen’s Lace for the cloudy sky & the Ashland Stitch for the body of the house. That Ashland stitch is tricky especially because I was using an overdyed thread & didn’t want it to get streaky. I would probably do the sky again in a more thread-blended fashion. But, I like the movement the pattern gives to the clouds.