Melitastitches4fun's Blog


All That Shimmers, Purple Flowers and Leaves
September 29, 2024, 7:10 pm
Filed under: All That Simmers by Sundance Beads, ANG Main Line Stitchers Chapter

I’m glad I worked on All That Shimmers at my  ANG Main Line Stitchers Saturday Stitch-in because Kristen was there. She’s already stitched it.

Underneath the purple flowers, I just couldn’t use the magenta overdyed thread. Kristen helped me pick DMC floss 327 to be the shadow underneath the flowers. Much better.

Once home, I pulled out the raffia and thought it was plastic! But Kristen used it on hers, and it looked nice. I also googled it and found out it is from the leaves of a raffia palm tree. Luckily, as I threaded the needle, it ripped down the center, which thinned it, and I like. It’s a very stiff thread, but I was able to anchor it in the stitching underneath the flower.

The raffia opens up to 1.25 inches wide and is very thin. So, I actually only ripped off 0.25 inches.

I’ll throw it into my stash, but I can’t say I’ll be seeking out more of it.

In order to get the 15 mm wide ribbon (BE Ribbon-Retro Avocado) threaded for the leaves, I needed an 18 Tapestry needle. I enlarged the hole and still had to work to pull it through (left long ends). I didn’t want to rip the canvas. I only ran it under the yellow Frosty Rays. Then, I did the veins and secured the ends of the ribbon with that thread.

Lastly, I tent stitched the red in the center and covered the gold ends.

We’re letting folks catch up, and the red center flower will be discussed at our November meeting. It’s looking good!

We’re using a stitch guide by Sundance Beads.



All That Shimmers, Yellow Flowers

The metallic leaves are reversible, so you could vary the bend in the stems. I stitched through the round ends with 2 strands of invisible Sulky thread and then went through them again.

The yellow Frosty Rays was too thick to go through the round ends more than once or twice. So, the other 2 stitches covered the round ends. They are probably a little bigger than what was painted, but I wanted to see them when viewed from a distance.

For the stamen, I used French Knots (anther) on a Stick (filament) and am relearning flower anatomy in the process!

The inner round ends will get covered by the red flower. I am ready for tonight’s ANG Main Line Stitchers chapter meeting. We’re using a stitch guide by Sundance Beads.



Raised Stem Stitch for Rainbow Butterfly

Based on what I learned about Calalguidi embroidery and/or a padded, raised stem stitch, I decided it would be perfect for the body in my Rainbow Butterfly by Danji, Laurel Burch Artwork.

Cross stitches in the center to raise the middle.

Long stitches along the length of the body to make it more raised and to be perpendicular to the bars needed to make the wraps.

Straight stitches for the horizontal bars every 3rd canvas thread.

Rows of the raised stem stem stitch, squishing them close together on one side. I’m very happy with how it turned out.



All That Shimmers, Background

Last month at our ANG Main Line Stitchers chapter meeting, Kristen asked us to do the center white background next by stitching over the 4 stems and the yellow flowers. She said we’d still be able to see the stems and flowers, and she was correct.  Between what we’re able to see through the stitching and a photo of the unstitched canvas, we’ll be able to stitch them later with no trouble.

I covered the edges of the purple flowers because the purple flower embellishments won’t cover the area entirely. We’re using a stitch guide by Sundance Beads.



Center of Fibonacci Swirls by Olivia Hartshorn

Last month, Linda got our ANG Main Line Stitchers chapter started on Fibonacci Swirls by Olivia Hartshorn (from Needle Pointers Mar/Apr 2022).

I’m doing one on Congress Cloth with a single overdyed thread, Sheep’s Silk Autumn Bouquet, that has 4 different colors (mauve, golden, green, and khaki starting at north, east, south, and west, respectively). I decided tent stitches with Perle #8 were plenty on Congress Cloth (rather than cross stitches over 1 canvas thread).

Once I got to the 18 count canvas, I changed my mind on the Watercolours for a third time. These look more different from each other than the last 3 skeins (especially after they are unwound). I kept 605 Sunset and the other threads.

I was almost done with all the borders when I realized that I had a whole card and a lot of the green Elegance leftover. Then, it dawned on me that I hadn’t done the border in over 1 cross stitches, and being on 18 count, that would be better than tent stitches. Elegance is comparable to #8 Perle. So, I went all around the inside border (Area Cs) again with reverse tent stitches to make the cross stitches. You can see the outer edges are not crosses yet. I cut the thread 605 Sunset so the rose/peach color is on the right and the rose/blue on the left.

This is ready for our meeting in 2 weeks.



All That Shimmers by Sundance Beads, Ribbons 3 & 4

Once again, I used my ANG Main Line Stitchers chapter Stitch-in (last month) to work on All That Shimmers. I finished the beads for ribbon 4, which is the green one with orange beads. I’m behind on posting this!

The way the stitch guide is written, the metallic bicone would be anchored into place right on top of a strand of Silk Lame Braid and wobbled unless you pierced a canvas thread and returned through the bicone and pierced into same place. The single beads are right on top of a thread, too. So, I used 2 strands, stitched a 2×1 stitch catching a bead, came back up, and lassoed the bead (place strands around each side of the bead and under the bead). So, no wobbling at all.

Ribbon 3 is the orange one with magenta beads. I shifted the squares to create a symmetrical arrangement. Top is how the stitch guide had it. My diagram and my stitched piece is pictured below.

You can see now the color of the beads used in one ribbon are adjacent to the color of a ribbon of the same color. It adds interest in my opinion.



Threads for Fibonacci Swirls by Olivia Hartshorn

My ANG Main Line Stitchers chapter is going to start Fibonacci Swirls by Olivia Hartshorn.

During covid lockdown, this grandmother living in Devon, UK, designed it. Luckily, someone in ANG must have contacted her because the instructions appear in Needle Pointers Mar/Apr 2022 issue. If you’re not a member of ANG, you can join (needlepoint.org) anytime and get access to all the old magazines online. Tons of great articles and projects.

ANG Central Jersey Chapter and Cyberpointers chapter have already done it and I’ve seen about 2 dozen different colorways. Linda M is leading this project for our chapter.

I’ve pulled 2 colorways. One is on Congress Cloth and the other is on 18 count canvas.

I will switch locations for two stitches and selecting a new one for one area.

The one for Congress Cloth is using The Thread Gatherer’s Sheep’s Silk Autumn Bouquet SPS099 (I have 3 skeins) and several Presencia Finca threads depending on what works best #8 #12 7720, #12 7726 (maybe double it), and DMC #8 738. For this one, I will cut the mat to fit the shape, and so no canvas will show. The Kreinik is 153V, a bold burgundy! The muted colors in the overdyed thread seem to become brighter by putting it with the brighter solids. I’m getting contrast! The original instructions call for 3 overdyed threads, but I want to try it with one. The threads should look familiar-they were posted as part of the Birthday Bonanza from Linda M!

For my colors going on the 18 count canvas, I’ll be using ecru canvas and plan on adding background stripes as was done by Linda W, a Cyberpointer. Imitation is the sincerest form of flattery. (Oscar Wilde)

Linda M and I found 3 Watercolour skeins in our stash from what Debra got from a friend of hers. One skein has the old handwritten name and dye lot. Linda helped me pair them up with Entice. I’m very happy!

As I was checking out, there were charms. I almost picked up a horseshoe and 4 leaf clover, but the green didn’t quite match. The threads remind me of a flower garden, and so I got the flower in a pot.

Linda M finally got to stitch some after helping Patrick, Lisa, Lori, Kathy P, Kristen, and me pick out threads! She was very helpful and patient. Looking forward to seeing these develop.



All That Shimmers by Sundance Beads, Ribbon 2

I had the stitching all done prior to our Stitch-in yesterday. I manipulated the overdyed so that the dark areas fell on the outer edge and the light portion of ThreadworX 1006 appeared in the full diamonds to emphasize the diamond motifs in Ribbon 2.

With a little push, the Silver Square (MA006) metallic accent fit perfectly into the bed of beads, which was then anchored into place with another bead. I used 2 strands of beading thread. Believe it or not, that’s the beading needle laying in the yellow area looking mangled! It started out straight.

I would have gotten it done during our Stitch-in, but since we were at Fireside Stitchery, I spent some time buzzing around the threads for my butterfly. I found some good ones, but that is for another post.



Rainbow Butterfly by Danji, Laurel Burch Artwork & The Stitching Club with Ellen Johnson/Serendipity

I fell in love with this canvas at NJ Needle Fest a couple of years ago, and Linda had it in her stash and gave hers to me for my birthday! Thanks again, Linda. I’m finally getting to it. Kristen has the canvas, too, and we are going to stitch it for discussion at our ANG Main Line Stitchers chapter meetings. I introduced the canvas at our Monday night meeting earlier this month.

There is so much going on this 6.5″ wide x 4.5″ tall canvas that it is kind of tough to decide where to start. I joined Ellen Johnson’s Stitching Club where she has amassed a series of videos on “Evaluating Your Canvas”. I went through them and immediately knew that I was learning to read my canvas better.

I want this to be a flat ornament hanging at an angle like it is flying.

I decided the focal is the red and orange portions on the wings – not the whole butterfly as I thought initially. Those areas contrast in temperature (warmest) and are completely outlined in black compared to the transition area where red changes to purple (warmer to cooler) and which is partially outlined in black. The opening along the bottom takes you into the cooler portions of the lower part of the wings.

I also read up on butterflies. Butterflies have 4 wings – not 2 wings as I thought initially! The 2 top wings are the forewings and the 2 lower are the hindwings.

The body may be the entry point that takes you to the antennae, which leads you to the wings. It may be a focal point, too.

There is balance within the design. The right and left sides are symmetrical (alike on left and right sides) but there is also some asymmetrical balance between the larger forewings on the top and the smaller hindwings below because of the large flower motifs.

My research also found that there is texture to the butterfly’s wings – not smooth and flat as I initially thought. The wings are covered in tiny scales that possess a microscopic texture that can produce iridescent colors by reflective interference. That sounds like what we see when stitching alternating scotch or cashmere with silks.

Possible textured stitches include Rhodes, French Knots, couching, surface embroidery, beading, and sequins. Possible thread suggestions from members of my chapter included memory wire, Petite Facets, and fuzzy threads. Kristen expects hers will be so embellished it will be too heavy to fly!

For the body, possible ideas include stuffing beads inside Flair, chipping with goldwork (would look good but would tarnish), and padding with kid leather.

I’ll be selecting threads tomorrow at our chapter’s monthly Saturday Stitch-in and the first time at Fireside Stitchery!



All That Shimmers by Sundance Beads, Ribbon 1

Kristen, from ANG Main Line Stitchers chapter, is leading All That Shimmers using the stitch guide by Sundance Beads. We got a discount ordering for a group through The West in Arizona. The kits came with the beads and ribbons, not the threads. Kristen stitched this in advance of the chapter.

It’s not a large piece at 7″ x 5″. Sundance shows it displayed as a 5×7, but I think the balance of stitches will be better displayed as 7×5. We’ll see.

I didn’t take a photo of all the stuff (threads, beads, metallic accents, raffia, and ribbons) that goes on the canvas prior to getting started, and I didn’t get a photo prior to stitching the borders! I was delayed because I switched to all Kreinik #12 Braid thanks to my stash and Linda’s!

You may notice that I’m working in the well, as Kristen suggested, because there’s only about an inch and a quarter around the design. That makes ending threads too difficult.

I’m only going to share photos of the fun beads and metallic accents as I use them, which is why we selected this project.

For Ribbon 1, we use Size 11 beads and MA005 Gold Coil.

I rediagrammed the pattern for the overdyed blue and ecru threads by shifting it slightly because I didn’t like where the metallic accents fell. It is now symmetrical, and that makes me happy!

Then, I also revised the suggested stitch surrounding the bead from a 3×4 rectangle to a hexagon that nicely nestles the metallic accent. Rather than using a Silk Lame Braid as called for, I’m using a Kreinik Braid #8 that matches the color Kreinik used in the border. 

To aid centering the accent in the hexagon, I went down into the adjacent hole from where I came up. I used a doubled length of Sulky Invisible thread that started out with 2,200 yards. I doubt I’m below 2,000 yards yet – a lifetime supply!

Appropriately, I finished Ribbon 1 at today’s ANG Main Line Stitchers chapter Stitch-in.