Melitastitches4fun's Blog

The metallic leaves are reversible, so you could vary the bend in the stems. I stitched through the round ends with 2 strands of invisible Sulky thread and then went through them again.

The yellow Frosty Rays was too thick to go through the round ends more than once or twice. So, the other 2 stitches covered the round ends. They are probably a little bigger than what was painted, but I wanted to see them when viewed from a distance.

For the stamen, I used French Knots (anther) on a Stick (filament) and am relearning flower anatomy in the process!

The inner round ends will get covered by the red flower. I am ready for tonight’s ANG Main Line Stitchers chapter meeting. We’re using a stitch guide by Sundance Beads.

Last month at our ANG Main Line Stitchers chapter meeting, Kristen asked us to do the center white background next by stitching over the 4 stems and the yellow flowers. She said we’d still be able to see the stems and flowers, and she was correct.  Between what we’re able to see through the stitching and a photo of the unstitched canvas, we’ll be able to stitch them later with no trouble.

I covered the edges of the purple flowers because the purple flower embellishments won’t cover the area entirely. We’re using a stitch guide by Sundance Beads.

Once again, I used my ANG Main Line Stitchers chapter Stitch-in (last month) to work on All That Shimmers. I finished the beads for ribbon 4, which is the green one with orange beads. I’m behind on posting this!

The way the stitch guide is written, the metallic bicone would be anchored into place right on top of a strand of Silk Lame Braid and wobbled unless you pierced a canvas thread and returned through the bicone and pierced into same place. The single beads are right on top of a thread, too. So, I used 2 strands, stitched a 2×1 stitch catching a bead, came back up, and lassoed the bead (place strands around each side of the bead and under the bead). So, no wobbling at all.

Ribbon 3 is the orange one with magenta beads. I shifted the squares to create a symmetrical arrangement. Top is how the stitch guide had it. My diagram and my stitched piece is pictured below.

You can see now the color of the beads used in one ribbon are adjacent to the color of a ribbon of the same color. It adds interest in my opinion.

I had the stitching all done prior to our Stitch-in yesterday. I manipulated the overdyed so that the dark areas fell on the outer edge and the light portion of ThreadworX 1006 appeared in the full diamonds to emphasize the diamond motifs in Ribbon 2.

With a little push, the Silver Square (MA006) metallic accent fit perfectly into the bed of beads, which was then anchored into place with another bead. I used 2 strands of beading thread. Believe it or not, that’s the beading needle laying in the yellow area looking mangled! It started out straight.

I would have gotten it done during our Stitch-in, but since we were at Fireside Stitchery, I spent some time buzzing around the threads for my butterfly. I found some good ones, but that is for another post.

Kristen, from ANG Main Line Stitchers chapter, is leading All That Shimmers using the stitch guide by Sundance Beads. We got a discount ordering for a group through The West in Arizona. The kits came with the beads and ribbons, not the threads. Kristen stitched this in advance of the chapter.

It’s not a large piece at 7″ x 5″. Sundance shows it displayed as a 5×7, but I think the balance of stitches will be better displayed as 7×5. We’ll see.

I didn’t take a photo of all the stuff (threads, beads, metallic accents, raffia, and ribbons) that goes on the canvas prior to getting started, and I didn’t get a photo prior to stitching the borders! I was delayed because I switched to all Kreinik #12 Braid thanks to my stash and Linda’s!

You may notice that I’m working in the well, as Kristen suggested, because there’s only about an inch and a quarter around the design. That makes ending threads too difficult.

I’m only going to share photos of the fun beads and metallic accents as I use them, which is why we selected this project.

For Ribbon 1, we use Size 11 beads and MA005 Gold Coil.

I rediagrammed the pattern for the overdyed blue and ecru threads by shifting it slightly because I didn’t like where the metallic accents fell. It is now symmetrical, and that makes me happy!

Then, I also revised the suggested stitch surrounding the bead from a 3×4 rectangle to a hexagon that nicely nestles the metallic accent. Rather than using a Silk Lame Braid as called for, I’m using a Kreinik Braid #8 that matches the color Kreinik used in the border. 

To aid centering the accent in the hexagon, I went down into the adjacent hole from where I came up. I used a doubled length of Sulky Invisible thread that started out with 2,200 yards. I doubt I’m below 2,000 yards yet – a lifetime supply!

Appropriately, I finished Ribbon 1 at today’s ANG Main Line Stitchers chapter Stitch-in.