Filed under: ANG Needle Pointer's Timeless Treasures From the Archives
I’m slipping! I forgot to post about backgrounds from the article, Timeless Treasures from the Archives in the January/February 2026 issue of Needle Pointers Magazine.
I tested several backgrounds from an article by Ruth Ann Halpern (using a variety of threads and beads) and Susan Portra’s Moonbeam in blue (shown below).
If you’re not a member of ANG, the American Needlepoint Guild (needlepoint.org), it’s easy to join. There are many free designs exclusively available to members.
Filed under: ANG Needle Pointer's Timeless Treasures From the Archives
This year Needle Pointers is featuring some bargello projects. So, I resurrected a photo of my Diamond Bargello variation of a Jean Hilton design for the Timeless Treasures from the Archives article in the March/April 2026 issue of Needle Pointers Magazine.
Then, I list the dozen bargello projects that you can delve into from the Archives. April 1996 has the complete design from Jean. Mine was adjusted to fit the opening of bookends. I hope you enjoy exploring bargello!
If you’re not a member of ANG, the American Needlepoint Guild (needlepoint.org), it’s easy to join. There are many free designs exclusively available to members.
Filed under: ANG Needle Pointer's Article
Be sure to check out the latest issue of Needle Pointers (Mar-Apr 2026) for two stitching projects, Spinning Threads by Mary Grosser and Lakeshore by Sallie Miller.
Marilyn Owen, Deborah Reichert, and I (we are/were all on the Editorial Staff of Needle Pointers) met Mary through Debbie Rowley’s Explore and Design class and encouraged her to submit the design to the magazine. Mary was thrilled and the photos went to Marilyn who did the cropping and aligning and I worked on the text from Mary’s emails, a partial graph, and photos to create text so that other stitchers could stitch it too. Mary proofread the text and diagrams. If you have stitched a design and want to share it with other ANG members, please let me or anyone on the staff know. We’re available to work with you. Isn’t the mat and frame excellent! Congratulations on creating a beautiful design Mary. I’m glad it made the cover!
And, Sallie’s lovely stitch and thread selections for Lakeshore, a painted canvas by Katherine Miller Knuth for Blue Ridge Stitchery turned out great. Her ANG Southside Virginia Chapter does a painted canvas each year led by a member. Sallie worked with chapter member Gail Stafford to write up a stitch guide to present it to their members. I placed their text and diagrams into the magazine’s format. Thanks to them for sharing the piece as well.
My excitement over seeing this particular issue published is tempered by the passing of Edward Grosser, Mary’s husband, and Sallie. Sadly, both passed away before seeing the articles published.
It was great to see Linda P from the New Jersey Needle Artists Chapter comment on their blog, “Oh My !! The new Needle Pointers Magazine is on it’s way !! The cover is a math person’s dream! The back cover is so quirky that I had to read about it on the bottom of the contents page.”
It’s easy to join ANG and have access to this issue and all past issues. Check it out at needlepoint.org.
Not too far from the Needlepoint Clubhouse is the Sign of the Arrow in Ladue, MO also very close to St. Louis. It’s a totally different vibe probably because it’s 1/3 gift shop and 2/3 needlepoint store. It’s a non-profit supporting local charities.
All painted canvases, a good amount of threads, and books (I was tempted by Brenda Hart’s book), and accessories (cute project bags). I didn’t think they have classes but they do. Cynthia Thomas will be there in May teaching two Whimsy and Grace’s pumpkins. They are known for belt finishing.
Our first destination, the National Blues Museum was closed due to technical difficulties. Bummer. So, on to The Needlepoint Clubhouse. They’ve been in business for 6 years in an old location and about one year in the new location in Rock Hill, MO – close to St. Louis. Their outdoor store sign is still in the works! Look at the sky – love it. Weather is wonderful 50s in the am 70s in the pm and a nice breeze!
What an amazing store! Here’s a view down both sides of the store. There are areas in the middle that you can’t see. It’s huge. About 5 tables, a couple of comfy chairs, beverages, and candy.
The main thing of note is the Rainbow Wall!
About a dozen threads are intermingling arranged by color! I love it but not everyone would.
In April, there are two 3-hour sessions that “Take a Tour of the Rainbow Wall” for $60 to explore the threads and learn to create dimensions and achieve special accents.
After that – still on the right wall is the Sparkle Rainbow Wall!
There are some gaps in colors but lots of people are stitching now and thread suppliers are not keeping pace. Someone told the bar shortage exists because the new stitchers don’t know to reuse them!
There are over 50 thread lines (not sure of the total count as the owner, Julie Cross, wasn’t present). Most lines are complete – only a few partial.
It was all painted canvases. No counted designs. There were stitch books and various supplies. I have a project waiting to be finished as a stand up so the 6″ acrylic stand is perfect. And, the one A to Z books they were selling, on Stumpwork, I didn’t have already. But, I do now!
They have lots going on.
Tale of Two Stitchers is a 2-day class in May that explores one Sandra Gilmore canvas and two distinct design visions by Lauren & Dianne.
Filed under: 2026, Magical Color with Jennifer Riefenberg, National Academy of Needlearts (NAN)
Day 2 of Magical Color with Jennifer Riefenberg. Remember yesterday i wondered about people only buying one of the two colorways? Well I mentioned it to Jennifer and she said once people get to class and see how the cool and warm canvases work to tell the whole story, they usually buy the second one and Jennifer brings extra ones. Smart!
Kathy Rees headed out early but I got our comparison photo before she left. Hers is on the left and mine on the right. The red thread on the third row really contrasts on mine and looks like it changes color from red to orange! If I wasn’t stitching these, I would find it hard to believe.
I got my 3rd row done on my warm canvas. I spent time color matching Waterlilies for the 5th row. By working with longer strands, I could complete a square but got a few knots that took time to loosen and only got one motif copleted on the 5th row.
I will definitely work through all step 1 stitches before adding more to them. It’s quite interesting seeing these develop.
An excellent event once again. Thanks to everyone who made it happen.
Day 1 of Magical Color with Jennifer Riefenberg. I purchased both colorways (cool and warm). How could anyone buy one without the other? It’s like reading half of a book!
Kathy Rees sat next to me and she decided to stitch the warm colorway. So, I went with the cool colorway. That allowed us to see the color develop simultaneously across the color wheel of canvases that both create. Kathy makes as great a fellow student stitcher as she does a teacher.
Class started at 9 am. I am not a morning person. First we color matched lengths of thread from a ball of DMC #8 Perle (strong colors). I hadn’t heard or read we needed about 1 yard/square. And, I hadn’t heard or read that Jennifer started in the lower right corner. So, I started on the bottom left corner to make the longest repeatable portion of the Arrowhead Pattern. There was enough to complete half of another row in the dark brown. For the rest of the square, I selected the lightest yellow portion. So, mine looks different from Kathy’s but the gist of the saturation still was relevant.
Row 1 Melita’s on the left and Kathy’s on the right.
Row 2 Melita’s on the left and Kathy’s on the right. Here the thread, Impressions, was muted compared to the thread used in Row 1.
After the Farewell Dinner as we watched the World Baseball Classic, I finished the 2nd row of my warm canvas.
To maximize the color experience, we’ll only work the first step on each of the 5 rows before doing more steps.
During class Jennifer discussed the saturation aspects of both threads we used as it related to the warm and cool canvases. She talked about value, contrast, and more. Luckily, this is all written out for us to digest.
Filed under: 2026, Exploring Needlelace with Diane Clark, National Academy of Needlearts (NAN)
In the late morning of Day 2 of Exploring Needlelace with Diane Clark, I had two revelations.
First, I knew the class was all about needlelace but it wasn’t until today that I realized needlelacing isn’t at all like needle weaving.
Second, the detached lacing doesn’t get cut away from the muslin! So the pattern is reusable! When the light bulb went off for me, I blurted it out causing quite a chuckle.
I finished all assignments from today and finished yesterday’s beaded sample top center). I have blank frames to practice more at home. The bottom one was freestyle! Anything goes. There some very creative people in the class. It’s fun looking at everyone elses.
Filed under: 2026, Beads, General comments, National Academy of Needlearts (NAN)
I can’t get hooked but it would be so easy! There are two beaded designs in the National Academy of Needlearts Exemplary that are beautiful. The stitcher/beader, Lyn K from Chicago did a fantastic job with the designs. One indicates that the designer is Sabine Lippert. So, I googled sabine lippert beading patterns and found plenty of examples and more on her website Trytobead(.com). Amazing!
The one is titled A Song I Your Heart and I think there is a class being offered. But, I already have plans in October and wouldn’t go to California for it anyway. Maybe Blue Santa Beads in Media, PA does classes like this. No, I can’t!
The other design, Hibiscus, is a flower shaped bowl with an upright center extension like a ring holder dish but it didn’t state the designer. And Google didn’t find it.
Filed under: 2026, Exploring Needlelace with Diane Clark, National Academy of Needlearts (NAN)
Day 1 of Exploring Needlelace with Diane Clark. The kit even came with a 4″ hoop!
We selected threads and a bead packet. Very extensive directions with lots of photos (I removed her contact info from the cover page).
Since I had two 4″ hoops at home, I brought them along just in case. I’m glad I did. There were 3 squares that I didn’t finish during class (2 upper right and oval ones bottom right).
Our homework was to finish the foundation squares like the one on the bottom left which I got done. Diane also wanted the padded oval finished. So, I did that too. That left 2 partially stitched squares and I ran out of steam when I got to the beaded square (upper right). That’s ok!
I really made progress getting more consistent and even lacing as I did more of it. The padded oval turned out well.
We covered the Cordonnet/Foundation, Brussels stitch, Double Brussels stitch, Pea stitch, pea stitch with beads, and needle lace over padding.
Diane is an excellent teacher, has great demos, and is taking this at a nice, steady pace.
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