Well, I will truly be “Adorned by Orna” (which you can Google to find her) for our Friday night (5 pm) opening at the Media Arts Council (MAC) needlepoint exhibit featuring designs by Orna Willis. MAC is in Media at 11 E State St and our exhibit will run until the 31st. These earrings are her Corinthian Earrings that I bought as a kit when she opened up her new studio (December 2018). Great motivation to finish them! Six members from ANG Main Line Stitchers are exhibiting 14 pieces designed by Orna including 6 different Color Inspirations. And, Orna has at least 50 pieces, bracelets, and other small finishes. An amazing collection.
It took me 2 days at New Jersey Needle Fest to stitch these earrings on Congress Cloth though I should have been done in a day (I had to redo some because I counted incorrectly). And, it took a day to attach the ultrasuede backing, apply the beads along the bottom and top edges, and add the hardware. The beads took several attempts and rethinking because I wasn’t happy with adding the large (4 mm) round beads into the bottom edge. So, I pulled out her instructions from her Flower Cuff piece for adding a Picot bead edging (2 layers) and I switched from gold beads to a purple iridescent 11/0 seed beads. I tightened them up which is creating the buckling effect which I thought was more interesting than a very uniform appearance. All ready for Friday!!

I heard about Greystone Needlepoint not too long ago and more recently saw there were 10 stores on the Canvas Crawl going on around the area (NY, NJ, PA, and more) in June including Greystone Needlepoint. So, I made an appointment for 6-8 of us for Saturday before our Stitch-in.
Shannon welcomed us and we explored the canvases. It worked out very nicely for our small group. Any purchase came with a small project bag and Shannon provides a Beginner’s Guide with Do’s and Don’t along with diagrams for Basketweave and Continental.
I managed to find a cute canvas with stitch guide. It’s more interesting to me now to read stitch guides to find out how succinctly they can be written particularly now because I am helping with articles in Needle Pointers magazine.

About a week and a half ago, I took an introductory class on Tapestry weaving from Bobbie from At Home Modern in Philadelphia. And, I finished it yesterday. I enjoyed the process. I see tension issues but perhaps that was because the top part was done in class, the middle one night, and the bottom another night. I didn’t expect a masterpiece on the first attempt anyway.
You can’t see it in the picture but the yarn sheds and I don’t like that. It seems messy. And, it was stretchy which probably led to tension differencestoo. So, I will try a different yarn and there are lots of yarns to try!

It’s nice to see something finished relatively quickly unlike needlepoint which is a much slower process. The reasons it worked up quickly is because the fiber was so bulky and that won’t happen with thinner threads and warp thread was on every other tooth and I want to try it on every tooth.
Filed under: Needlework and Textile Guild of Media
Last month, we took home some unfinished quilt squares. I thought we were to use them as we wanted. However, they were intended to be used in our own visible mending projects to show in June. Well, even though I bought the darning loom, I don’t do mending! So, this is what I did with my fabric pieces. Sally made a key ring out of hers. We were the only 2 to give it a go.
This turned into a lesson using Pellon Wonder-Under Transfer Fusing Web. It “turns any fabric into a fusible fabric”. It also turns your iron into a mess if it touches a hot iron directly. Learned that the hard way. But, Magic Eraser cleaned it up. So, I cut the fusing web slightly smaller than the quilt squares and placed the fusing web between the canvas (14 count) and the quilt square and then applied heat for 15 seconds. And, it worked great.
I stitched gobelin stitches around the edge. And, I added nested Jessicas on one and a corner Amadeus with crescents on the other. Stitching without seeing the holes was a challenge. That’s why I started them on the edges. I’ll probably finish them into ornaments. There is a stack of ornaments building up for me to finish. I’ll have to block out a few days.


Save the date! July 1, 2022 (5 pm) for the in-person opening of a month-long needlepoint exhibit featuring Orna Willis and her designs at the Media Arts Council Gallery in Media, PA. Members of ANG Main Line Stitchers chapter will share 10 stitched pieces of her designs too. Read all about the exhibit and Orna at https://mediaartscouncil.org/calendar/mac-art-show-orna-willis-and-mainline-stitchers/ If you are in the Philadelphia area in July, be sure to visit the gallery (open Wed – Sat from 10 am – 2 pm and Sunday 12 – 4 pm).
I will contribute Come Dance With Me, Flower Cuff (finished flat), and Color Inspirations. In addition, I have completed Cards and Needles from my stash. It was a kit from around 2009 which was one of the first Main Line Stitchers classes that I signed up for.
For Cards and Needle, Orna created one design 2″ x 1.25″ that is stitched three times in 2 colorways (orange/fuchia and purple/green) although colors repeat within a colorway and across each colorway. Orna has a very clever instruction sheet as well. It is fascinating to see the results. Although Orna suggested using them for cards or individual mounted pieces with inspirational sayings, I decided to frame each colorway in a collage because keeping the colorways together looks more appealing to me. The frames measure 9″ x 15″. This one will be raffled to raise money for Media Arts Council as my way of thanking them for letting us join the exhibit. I’ll wait to share the other colorway.
Please join Orna and members of the Main Line Stitchers on July 1 at 5 pm for the opening!

Bobbie is an art historian, runs At Home Modern, and is a weaver. Five of us joined her at Second Street Press, an art center, near Center City Philadelphia. In a 3-hour class, we got introduced to Tapestry weaving.
We put the warp thread on first winding up and down. It is the thin black cotton vertical threads. I upgraded to the 14″ Weaving Frame from BekaInc.com in case I want to create larger pieces. In order to keep up with class, I kept this one at about 10″ wide.
We started with Twining.

Added rows of Tabby. You can weave with your hands or the long wooden weaving needle seen in the photo. I did it both ways.

Then, I manipulated the colors because weaving rows back and forth would not have been much of a challenge. And added Soumak stitch using wool roving the fluffy large light blue fiber (also used in needle felting).

I see now that my top row of Twining is wrong. It should look like a braid. Easily removed. That was as far as I got. I could end it here but we got yarn to take home so I will make it longer to practice weaving more. I also need to add a row between the light and dark blue rows because they are woven in the same direction although it certainly would be interesting to see in a larger area. Kind of like a double brick stitch. I enjoyed seeing Bobbie again and very nice people in class.
The thinner of the light blue fibers and the darker blue fiber are both single ply yarns called Tuff Puff, which you can get at knitpicks.com (https://www.knitpicks.com/yarn/tuff-puff/c/5420288).
Filed under: Busy Lizzy, Floral Fantasy, Needlepoint Shops, Other People's Pieces, Threads, Threads and Beads
I finally joined Cleo of Busy Lizzy for one of her First Tuesday sessions at her shop behind her house. It’s not large but Cleo has a good selection of painted canvases, threads, and miscellany including books. The table and chairs still allow enough room to walk around looking at everything. Eight of us fit comfortably around the table. Lively conversation made the time fly and before I knew it, it was 2:30 pm which was 30 minutes past the time I was planning to leave (just over an hour to and from Chadds Ford for me). Two others from ANG Main Line Stitchers, Gloriann and Stacie, were there. My travel SMASTA (tool case) was a smash hit! A very enjoyable day.
I found one book there that I couldn’t find anywhere online!! But, that will be the topic of another post.
The piece I’m working on is a small (4″ square) 14 count canvas with designer initials of BTB or BT8. I have no idea where I got it from but it looked like an easy piece to stitch at a Stitch-in. If anyone recognizes the designer, please leave a comment. I named it Floral Fantasy for lack of the proper title.

I selected basketweave for the white flower outlines, a 4×4 Norwich Stitch for the white center of the red flower, and 2 upright waffle stitches for the white center of the pink flowers using ThreadworX Expressions (200, white). These areas were finished the day before.
The green is Boucle (170) done with Checkerboard Cross which are alternating cross stitches and upright crosses each over 2 canvas threads. I wanted a random looking grassy texture. I began this area to make sure the thread worked. Since it is 14 count, the Boucle works ok. I finished this today and found out Pepper Pot Silk would not cover on 14 count at least for the stitch I wanted to use.
It was a perfect time to try the new thread Line at Cleo’s that I haven’t seen anywhere else. It is from Gloriana Threads and is Duchess Silk, a hand-dyed thread. Some colors have more subtle changes in the skein. I had brought along another canvas and selected other skeins of Duchess Silk but that too will be the subject of another post.
This Rose Violet (232) has more variations than many of the other colors in the line. You can see I got the upper right corner started using the stitch, Pointing Fingers. There is nice variation of color. It’s taking some time to “see” the pattern and compensation isn’t easy yet. Hopefully, I’ll get it once I start stitching in the larger area.

Also in the upper right corner are 2 small clusters of 5 beads each. I have accumulated (mostly from Trish who was unloading her stash before moving south) a slew of beads including a large tube of pink beads that are calling to me, “Use us!” I don’t know what kind they are so I hope I have enough for both pink flowers. If not, then I will improvise. The differences in texture are pleasing me most about this piece. I have no idea what to do with it when I finish it. Any suggestions?
Filed under: ANG Seminar 2017, JP Bird of Paradise & Bamboo, Orange Orchid & Bamboo
The Main Line Stitchers chapter held our Stitch-in this past Saturday in person (6 members) and on Zoom (1 member). Good to find out that the church’s AC is working great and this is only May!
Well, I discovered 2 mistakes. This one from the center panel of the “completed” Bird of Paradise canvas had a few missing stitches which would probably have gone unnoticed except for the fact that I took a photo to make sure that I stitched the other center band similarly. Luckily, I took the photo in the area of the missing stitches. Easy fix.

Then, all of a sudden I noticed this. The left side of the photo is the first canvas and the right side of the photo is the second canvas. Look at the blue section.

The right is darker than the left. Then, I looked closer.

So, it went through my mind: Who besides me will notice that? They are almost the same color. But the close up photos reveal better that the Pepper Pot Silk and the Gloriana are very close in color (left side of photo) making the difference between the Vineyard Silk and Gloriana (right side of photo) that much more noticeable. So, I will see it every time I look at them. Then, to verify the difference, I asked my husband and he said the one panel is darker than then the other – first thing he saw. Luckily, I have enough of the Pepper Pot Silk and just enough of the Gloriana because they both have to come out. Oh well. No point of spending this much effort on pieces not to get them right! Right.
So I ripped the blue sections out and before I knew it they were redone. All is back on track and ready for next month’s Stitch-in.
