Melitastitches4fun's Blog


Orchid Lady, Finished

Heather is the key overdyed thread in my kit from Ann-Marie Anderson-Mayes in Australia for Orchid Lady by Mary Knapp on black Congress Cloth. The others at ANG Main Line Stitchers are stitching Anne-Marie’s design, Celestial Twist, with her threads.

The 4 center Rhodes used 4 strands from the overdyed skein with the away knot placed the same distance from the starting hole. Since I rotated the canvas as I stitched, the green fell in the center long stitches in a circular position.

An Amadeus that share the center holes can be tricky on the second side unless you hold your working thread off to the side so you can see the holes for you to insert needle into and then pull the thread taut. A huge help especially on black Congress Cloth! I decided to make these and the outer bargello border yellow.

There is plenty of threads for the next piece.



Stitching with Overdyed Threads from Beautiful Stitches for Orchid Lady by Mary Knapp

I’m using threads from Ann-Marie Anderson-Mayes in Australia for Orchid Lady by Mary Knapp on black Congress Cloth. The others at ANG Main Line Stitchers are stitching Anne-Marie’s design, Celestial Twist, with her threads.

I had to pull out the magnifying glass with a clip-on light (which I found when organizing after the carpet was cleaned). I need it to work on the black Congress Cloth. It’s a StarMag by Daylight Company. I’m glad I found it when I did!

The overdyed thread, Heather, has yellow, green, and purple, and pink areas. I cut the overdyed skein in the middle of a large stretch of purple expecting to see more green and yellow. But, a good amount of purple is apparent too. Since I have worked with purple so much, I decided to use the solid green and yellow colors instead of two values of purple (not stitched with the solid colors yet). So, I selected a Kreinik #4 Braid 2829 that has green and yellow in it.

I really lucked out and the 36″ resulting length was ideal for completing the inner motif. And, I started the thread half on each side of the center so that the colors are symmetrical as they are worked outwards. And, it results in less wear and tear on the longer length of thread. I had to finish all four directions in order to be sure I stitched it in the same direction for a consistent color flow.

I love that the purple fell in the four center areas and the green and yellow are in the eight side areas. Very happy with the start! Now if I could get a great photo! It looks more yellow in the photo and more green in person – photographing needlepoint is tough.



More Stitching with Threads from Beautiful Stitches for Orchid Lady by Mary Knapp

I expected to use the green and yellow threads but once I separated the plies and only used 2 strands, you couldn’t see the difference between the two colors. And, they blended into the eight areas losing the definition of the design. So, it’s a good thing I like purple! I am using two of the three purples from the kit. This is the lighter of the two to be added. It’s such fun watching the piece develop in front of you! This brings the piece out to 5″ x 5″. It will be 5&1/2 x 5&1/2″ when finished. Only dark purple and more of the overdyed to go.



Threads from Beautiful Stitches for Starburst by Patricia Hartman and Orchid Lady by Mary Knapp

Part of the fun with ordering threads from Ann-Marie Anderson-Mayes in Australia was to see what solid colors she would pick to go with the overdyed thread we selected. Even though I am not stitching Celestial Twist with the others at ANG Main Line Stitchers, these threads will work for 2 projects on my To Do List which are Starburst by Patricia Hartman and Orchid Lady by Mary Knapp which will be done on black Congress Cloth. Hopefully, I have enough for both projects. They will look nice together.

Having had the Color Theory class with Susan Hoekstra recently, I tried to figure out how these threads work together. According to the color wheel, I have 2 split complementary colorways combined and yet not a tetrad. I see the overdyed thread (called Heather shown along the bottom and right side) as red-violet with green and yellow. By adding the red-orange, I see a split complementary formed with red-violet and green which I personally would not have seen as working together. But, if the red-orange is used sparingly, it will add some interest and may just be what I have heard referred to as the “poison” color.

Before I can start though, I need to finish one in progress piece. But, I can start to plan which threads will go where in Starburst. That’s the larger of the two pieces and the one I have wanted to do longer than Orchid Lady.