Filed under: ANG Main Line Stitchers Chapter, General comments, Patchwork of Peace, Threads
The white rows are completed! There are 24 threads used in the 90 different blocks.
Looking at the blocks up close allows you to see the different textures. But, from afar, you can only see the change in color from very white to white to ecru.
Starting with the block on the right (#1) moving to the left (#19), I used the following threads (1 strand unless noted):
1 – Elegance E800 and Soie Perlee SPS694
2 – Bella Lusso 001 and Treasure Braid Petite PB10
3 – Gloriana 261 (2 strands) and Gloriana 0057 (2 strands)
4 – Impressions 100 and DMC Floche Blanc (2 strands)
5 – Pashmina 000 (2 strands)
6 – Subtlety Y899 and Silk Lame Braid Petite SP100
7 – DMC Floche Blanc and Sparkle Braid SK06
8 – DMC Perle #8 Ecru, DMC Perle #12 Ecru, and Burmilana 3845
9 – Soie Cristale 0057 (2 strands) and Impressions 118
10 – Soie Perlee SPS694
11 – Au Ver A Soie 100/3 Blanc (2 strands), Elegance E800, and Kreinik #4 Braid 032C
12 – Designer’s Dream D02 (2 strands) and Pashmina 261 (2 strands)
13 – DMC Perle #8 B5200, DMC Floche Blanc, and Treasure Braid Petite PB10
14 – Burmilana 3845 (2 strands) and Gloriana 261 (2 strands)
15 – Wildflowers 100 and DMC Floche Blanc (2 strands)
16 – Elegance E800 and Gloriana 261 (2 strands)
17 – Soie Cristale 0057 (2 strands)
18 – Kreinik #8 Braid 102, Subtlety Y899, and Wildflowers 000
19 – Wildflowers 100 and DMC Floche Blanc

Filed under: ANG Main Line Stitchers Chapter, General comments, Threads, Threads and Beads
When I saw Karen at Nimble Needle had a Silk Luster Leaf Exercise Kit at the 2018 New Jersey Needle Festival, I didn’t know why I needed it but now I do. This works right in with a thread project that I started in October for my ANG Main Line Stitchers chapter.
Access Commodities has an instructional booklet on their website to go with the kit. The kit contains Trebizond TRA734, Soie d’Alger 2125, Soie de Paris SDP2125, Soie Gobelins SGS2125, Au Ver A Soie 100/3 SMS325, and Soie Perlee SPS325. Threads are all green. First, I made the outline using my “Purple Pen” with disappearing ink. I had carefully cut out the stem and the veins from a paper copy and used it like a stencil. That looked good. So, I used my ZIG Fabricolor green marker that I got in a previous class. Easy! The threads are green and I’ll be sure to cover the lines anyway.

Both the slipperier the thread and the more strands needed (3 or 4) for proper coverage made it harder to lay the threads. Working with Soie d’ Alger was the easiest. I’ll probably finish the leaf on a long wrapped wire and place in a bowl of artificial flowers.

Join us Monday, February 11 at 7 PM in the conference room at Starbucks in Wayne (218 Lancaster Ave). I’ll be sharing 2 new threads.
Filed under: ANG Main Line Stitchers Chapter, General comments, Patchwork of Peace, Threads
The part I like best about stitching this piece is having so many small areas to stitch which allows me to experiment with different thread combinations within a single square and I’m getting to stitch patterns I’ve never stitched before.
So far, my two favorite combinations are the first square on the right in the bottom row I just finished (Grounding):

and third row from the top fourth square in from the right (Escalator):

Starting with the block on the right (#1) moving to the left (#19), I used the following threads (1 strand unless noted):
1 – Soie Perlee SPS694 and Au Ver A Soie 100/3 Blanc
2 – DMC Perle #8 B5200, Treasure Braid Petite PB10 (2 strands), and Wildflowers 000
3 – Designer’s Dream D02 and Soie Cristale 0057 (2 strands)
4 – Wildflowers 118 and Silk Lame Braid Petite SP100
5 – Soie Perlee SPS694 and Pashmina 261
6 – Elegance E800 and Sparkle Braid SK06
7 – Wildflowers 000
8 – Wildflowers 100 and DMC Floche Blanc
9 – Soie Cristale 0057 (2 strands)
10 – Pashmina 261 and Kreinik #8 Braid 102
11 – Bella Lusso 001
12 – Wildflowers 000 and DMC Perle #12 B5200
13 – Gloriana 261, Elegance E800, and Sparkle Braid SK06
14 – DMC Perle #8 B5200
15 – Wildflowers 118 and Soie Cristale 0057 (2 strands)
16 – Subtlety Y899
17 – Designer’s Dream D02 and Silk Lame Braid Petite SP100
18 – Burmilana 3845 and Bella Lusso 001
19 – DMC Floche Blanc
I finished my 12″ square design from the class with Kathy Rees (it goes to the framer, then to exhibit at Seminar, then it’ll get posted on my blog). There are still enough threads to stitch another small design. But, it’s not enough threads to warrent storage in my Bohicket Road bag. So, I moved my white/ecru threads into it. Fantastic bag! And, it made organizing fun.

Row 10 white stitched:

Filed under: ANG Main Line Stitchers Chapter, General comments, Threads, Winter Scene Sleigh
As part of an ongoing thread project for my ANG Main Line Stitchers Chapter, I researched the following chainette threads: 24 Karats, Alabaster, Cresta d Oro, Gold Rush, Nordic Gold, Snow, and Winter. A chainette is like a chain of crocheting. Because each chain is tucked into the one before it, it can unravel. I didn’t experience that while stitching with either Snow, Alabaster, or Winter. However, I was able to pull on all 5 chainettes that I had samples of and make them unravel. If you experience unraveling, there are several options: cut off the raveled part and rethread your needle; use a larger needle to open the hole and pull straight through the canvas to create less friction; use Fray Check; or, apply heat to the frayed end with a thread burner tool.
- 24 Karats – Rainbow Gallery: A high luster chainette metallic thread (79% Metallized Polyester, 21% Nylon). It is recommended for use on 12 to 18 count canvas. Available in 13 colors on 10 yard cards.
- Alabaster – Rainbow Gallery: An iridescent metallic chainette with an opalescent sparkle (58% Metallized Polyester, 42% Nylon). It is recommended for use on 13 to 18 count canvas. Available in white only on 20 yard cards.
- Antica – Caron Collections: A chainette thread between a #3 and a #5 perle cotton with more of a soft glow than a shiny sparkle. Available in 9 antique shades on 20 yard cards.
- Cresta d’Oro – Rainbow Gallery: A chainette (67% Viscose, 33% Metallized Polyester). It is recommended for use on 12 to 18 count canvas. Available in 23 different colors on 15 yard cards.
- Gold Rush 12, 14, 18, or XS – Rainbow Gallery: A chainette (80% Viscose, 20% Metallized Polyester). Available in different colors in 3 sizes on 10 yard cards: 12 for use on 10 to 12 count, 14 for use on 13 to 16 count, 18 for use on 18 to 22 count. XS is very fine available in different colors on 20 yard cards.
- Nordic Gold – Rainbow Gallery: A very fine metallic chainette (52% Metallized Polyester, 48% Nylon). About the size 2 or 3 strands of blending filaments. Available in different colors in 25 yard cards.
- Snow – Caron Collections: A soft metallic chainette with an opalescent sparkle (58% Metallized Polyester, 42% Nylon). Available in different colors in 10 yard skeins.
- Winter – Rainbow Gallery: An iridescent metallic chainette with an opalescent sparkle (66% Metallized Polyester, 34% Polyester). Available in white only on 10 or 40 yards per card.
These stitched samples are Snow (left), Alabaster (center), and Winter (right). All 3 threads are similar in size to a #5 perle cotton and worked well with good coverage on 18 count canvas.
Snow feels the softest, is the whitest, is the least iridescent, and looks the least like a chainette.
Alabaster has the most visible chainette effect even when stitched.
Winter covered the best, has a good blend of being white and iridescent, and doesn’t look like a chainette when stitched. It photographs best too! So, Winter will probably be what I use for the snow in the Winter Sleigh canvas that our ANG Main Line Stitchers Chapter are discussing and some of us are stitching.
Speaking of our chapter, I’m so excited that we have 5 new members since September! Oddly enough, each have arrived via a different path including being an invited guest to speak about her work on ecclesiastical needlepoint, a friend of a member, one met a member at Seminar, another heard of us through a local frame store, and the last through a Google search. And, that means 4 new ANG members as well!

Filed under: Dyeing to Stitch, General comments, Needlepoint Shops, Threads
I stopped at Dyeing to Stitch in Virginia Beach. They are an “Embroidery” store and knew of a very similar store near me, Strawberry Sampler in Glen Mills PA. They have Tulip needles (subject of a previous post).

They have a nice variety of floss threads all along the right wall. There are 2 threads that I hadn’t seen before. Classic Colorworks Belle Soie has a nice sheen to the silk threads. And, amongst the glosses sat some Merino Wool by Weeks Dye Works available in subtle overdye colors. It’s so soft. Not fuzzy. I had to get 4 skeins. Not sure what I’ll do with them yet!

Filed under: ANG Seminar 2018, Designing Geometric Sampler with Kathy Rees, General comments, Threads
Last night at Expo, I picked up Jean Hilton’s Light ‘n Lacy booklet and a Bohicket Road Bag that fits all my threads from Kathy Rees’ class. She had some nice fabrics to choose from and I went with the lobster/seashell/beach theme.



Day 2 was examining design elements, stitches, and threads. I played with paper designs.


Of course, I have my own diagrams I’m playing with. Tomorrow we stitch!
One of the items in a past member’s stash that continues to provide some interesting programs includes “Fun With Fur” which explores some threads and their uses. I did the first 3 exercises to share with my ANG Main Line Chapter tomorrow. We are going to continue to explore different threads as an ongoing project throughout the year.
Since stitch samples like these are not very exciting, we have a heart that we’ll break into smaller sections to stitch on with 2 different threads showcased each month.
Stop by Starbucks at 218 Lancaster Ave at 7 PM for our August 13th meeting. Here all about our plans to celebrate our 35th Anniversary as an ANG Chapter.


Filed under: Celtic Knot, Dare to Design With Orna Willis, General comments, Threads
Have you ever had threads get twisted when you stitch? Who hasn’t? Well, I heard people try and explain z twist and s twist. While I understand it, I can’t see it. Until I can see the different twists, I will use the simple tip I heard from Cleo at my EGA Brandywine Chapter meeting which is to use the thread as it comes off the skein. This means that the beginning of the thread goes in the eye of the needle. Then, cut the other end and finish with that end. I was seeing issues with Trebizond and now I’m not.
This is the beginning of the second design that has come out of my design class with Orna Willis. My paintings reminded Patrick from my ANG Chapter of a Celtic Knot. I don’t know if the stitched piece in my colors will still remind him of a Celtic Knot but that’s what I’ve called this design.
Here are the paintings.

I tried to paint in my stitched colorway but didn’t do great.

Here’s the inner area stitched (sequins and beads will be added last). I’m using Trebizond TRA 381 Orange Sherbet, 3586 Birds of Paradise, 343 Peach Sorbet, Bijout MMT 429 Jasper, Kreinik 1/16″ ribbon 2122, and Watercolours 144 Pomegranate in this inner area.

A different color of Trebizond, Bittersweet TRA 376, replaced the Orange Sherbet TRA 381 into the next surrounding area.
I love how it’s looking but it certainly isnt easy to stitch due to the nonsymmetrical features and the weaving. I could stop here and add beads and it’d be a pretty little thing but I am going to keep on going!! All these threads are from the kit that came with Orna’s class. Even after I finish this piece, I’ll have threads enough to stitch at least a third piece!

Members of my ANG Main Line Stitchers Chapter made an outing to Rittenhouse Needlepoint’s new store on Arch St near the Convention Center and Reading Terminal Market. Incredible store. Tons of space. Russell gave us a tour. We saw the finishers hard at work making ornaments, boxes, and a backpack prototype! You can take a tour too at https://youtu.be/TxrR8j855AE
As Russell talks about in the video, we discussed his plans for classes, retreats, and charitable opportunities.
I took some stitching and was going to sit and stitch but I helped my chapter members spend their money by helping find threads for their projects. With 150 lines of thread (and more coming), it was fun.
He was so sweet to make us fruitcake (& not like any other – this was actually delicious). And, he gave us this ort box with external pockets! Then, we headed to Reading Terminal Market for a late lunch. Great day!

Filed under: ANG Main Line Stitchers Chapter, General comments, Threads, Threads and Beads
Two new threads for me are Vineyard Jewels and Colonial Persian.
I learned about them from a Rittenhouse Needlepoint’s newsletter:
I also read more about them on Janet Perry’s Nut About Needlepoint blog:
I picked up a skein of each at Rittenhouse to test them for myself and to share results with my ANG Main Line Stitchers chapter. Unfortunately, I didn’t care for either. The Vineyard Jewels doesn’t feel or lay as nicely as Kreinik. The thread size is closer to #12 or slightly larger. Coverage wasn’t that great even on the diagonal. And, Colonial Persian wears and is too “hairy” for me although would be good for certain projects where that effect is desirable. Coverage with one strand (of the 3-plys) on the diagonal is good but not vertically. And, using 2 plys vertically would be too bulky for 18 count.
Join us tomorrow Monday, March 11 at 7 PM in the conference room at Starbucks in Wayne (218 Lancaster Ave).