Filed under: Melita's Adaptations, Monet's Poppy Field, Needlework in Progress, Poppy Field
The blue patch among the dark green grassy areas needed to be angled & upright. So, I found Zig Zag Stripe but did a variation of it by off setting the stripe. And, I filled in the empty spaces by a single cross stitch. It increased the denseness of the stitch & added to the slope.
I mainly used the blue portions of the overdyed thread (ThreadworX 1067) but also switched to some green from the same overdyed thread combined with blue & up close you can see the differences.
My shoulder has been bothering me but seems to be better now. So, I hope to make up ground on my Poppy Field while I can – kind of a pun!
Filed under: Melita's Adaptations, Monet's Poppy Field, Needlework in Progress, Poppy Field
In the 3 very dark green grassy areas, I wanted to use different but related stitches. So, I selected Criss Cross Hungarian for the left patch because of the denseness of the stitch & the longer length. The Woven Trellis is in the center patch because it is about as long a stitch as the left patch and because they are on about the same distance. And, Serendipity was selected for the right patch because it is farther away than the other 2 areas and is a smaller stitch.
The darker the thread (still using Sampler Threads 7042 Raven) the less of a stitch pattern is evident but up close you can see the differences.
For the top long row, I used the 3 threads layed in the same direction to get a few patches of light green from the overdyed. But, in the smaller 3 areas, I layed 1 in the opposite direction for a more solid dark effect.
In case you forget what Monet’s look like by now, here part of it is again.
Filed under: Melita's Adaptations, Monet's Poppy Field, Needlework in Progress, Poppy Field
For the large medium dark green grass area, I used one strand each of Weeks Dye Works overdyes named Grasshopper (yellow-green), Collards (dark green), and Moss (medium green). The stitch, Diane’s Lace from Suzy’s Portable Stitches, was difficult to get the hang of but especially slanting up & to the right (on the left side). The other angle, slanting up & to the left, just clicked for me. Odd how the brain sees some things better than other. It’s a good stitch for full coverage & looks somewhat random (especially using overdyed floss).
The little dark blue-green area in the center (with arrow pointed to it) used a portion of the 2 threads with the blue portion and 1 thread with the green portion in an encroaching gobelin stitch.
Filed under: Melita's Adaptations, Monet's Poppy Field, Needlework in Progress, Poppy Field
The far dark green section is done using random straight stitches & Weeks Dye Works (WDW) thread (color named Raven) that is very dark with portions of a slightly lighter green. I like that a little canvas shows through – especially up close as it seems more natural.
And, I removed what green & orange threads I had placed in the upper right area from stitching in class because I found more shades of WDW. I plan on doing a lot of thread blending with what I found (but more of that with my next blog). http://www.weeksdyeworks.com/index.php (great overdyed floss selection that I was able to get at The Strawberry Sampler in Glen Mills, PA which is southwest of Philadelphia & not too far).
Filed under: ANG Seminar 2010, Melita's Adaptations, Monet's Poppy Field, Poppy Field
I can’t remember where or when I fell in love with Monet’s Poppy Field in a Hollow near Giverny (1885). But, I am convinced some day I’ll capture it in needlepoint. No, it won’t be Monet’s Poppy Field, it’ll be my interpretation of it. But hopefully, it’ll be something I can gaze upon & feel it take me to a patch of that long grass.
My first attempt was all about testing stitches. I really like the Whipped or Laced Running Stitch (Elegant Stitches by Judith Baker Montano) for the light blue on the right. I didn’t care for it as much for the 2 greens to the left of that area. I also liked the stitch Serendipity used in the top blue-green portion for the distant tree line & Rococo for the dark green bushes in the middle (both are from Stitches To Go by Suzanne Howren & Beth Robertson). It’s size is 4&1/2″ x 4&1/2″ & too square.
The quest continued for stitches in my second attempt. I had it in my mind that a large stitch pattern base would work for the poppies & then thought random french & colonial knots would make the flowers on the field appear random but it became too dense. I did like the Knotted Stitch on the upper left & a similar stitch with less slope for the area to the left of the center dark green bushes called Diagonal Roumanian. Then, I created a variation of Kennan for the area left of the center dark green bushes. These stitches came from Stitches To Go by Suzanne Howren & Beth Robertson. It’s size is 4″ x 4&1/2″.
I felt pretty good about stitches & decided in this attempt I better test some colors & threads. To combat the density of the poppy field, I switched to a thinner thread. It was better but it wasn’t right – it seemed flat & lifeless. So, I put it away for a long time deciding further experience was needed before I could improve the piece. It’s size is still 4″ x 4&1/2″.
Always on the look out for new threads, I tried a variety of threads. I also tried some different stitches. I liked this version much better, especially the poppy field because I used various shades. David McCaskill’s suggestion to use a canvas with the blue tint to it improved the piece as well because areas show through, depending on the stitch/thread. While I saw improvement, I wasn’t sure where to go next & decided to put it away – again. It’s size is 4&1/2″ x 4&1/2″.
Then, I saw the class teaching design & stitching techniques for landscapes advertised for the 2010 ANG Seminar taught by Lois Kershner. I wasn’t familiar with her work but could tell by the description of the class it’d be perfect for me to help figure out my poppy field. So, I attended my first seminar. Now, I am armed with knowledge from her class as taught by Pat Rusch. Will my fifth attempt be my last? It is full size (8″ x 9&1/2″) still on blue canvas. As you can see, I didn’t get much stitched during class because I was studying the techniques in the book and reconsidering threads & stitches – again! Wish me luck!!
Filed under: Christmas Card, Melita's Adaptations, Melita's Pinsation's Designs
This is a Pinsations adaptation of a design from a piece of bronze wall art with stitches I selected. The pin can be removed, worn, & replaced. I placed a photo of this on the front of my Christmas cards for 2006. I had to tell people it was stitched by me – they didn’t realize that! Then, I framed it & gave the piece to my sister, Anita, as a Christmas gift in 2007.
This was my inspiration – a piece of bronze wall art clipped from a catalogue.
My sketch:
I used gold Kreinik & mostly straight stitches but also Lazy Daisy stitch for flowers & a Vandyke stitch for the vase (both stitches are from Stitch Sampler by Lucinda Ganderton).
Wow, I’m late for posting this one – didn’t realize Dec arrived so soon after Thanksgiving! Except for stitching stars for the buttons, I stuck to the pattern for this one. Happy Holidays to one & all.
The Peace Rose is beautiful! Thanks again to friends of Myrl Good, the Princess Grace Boehm Rose Award sponsors.
Filed under: ANG Main Line Stitchers Chapter, Bookmark, Melita's Adaptations, Melita's Other Completed Pieces
For our ANG Chapter Project, we are doing samplers. I found 2 speakers from the Delaware Valley Historical Sampler Guild who gave excellent presentations & “Stitches for All Seasons”, a booklet with 7 different samplers on the Stoney Creek website.
It was a discontinued item & I didn’t find out until after the newsletter was sent. And, because Stoney Creek is not the designer, they could not make more copies. However, they were gracious enough to provide 6 of them at no charge & said, “Hope you enjoy them.” And, I went on eBay & found 7-8 more copies of the book.
I did not realize that the samplers in the book would be based on 28 or 32 ct (our group prefers 18 ct). So, I calculated the sizes if done on 18 ct (Summer Butterflies: 7&3/4 x 10&1/2, Spring Flowers: 7&3/4 x 10&2/3, Winter Wonderland: 7&2/3 x 11, Autumn Leaves: 7&3/4 x 11&1/8, Christmas Love: 7&3/4 x 11, Friendship: 6&2/3 x 13&1/8, Hearts & Waterlilies: 7&1/8 x 12&2/3). I reminded folks that the threads suggested would be thinner than what you’d need for 18 ct. Except for the Butterfly sampler, they should up nicely on 18 ct canvas. I have learned a lot! And, the threads recommended are also not longer available. They are mostly a DMC flower thread – never heard of it!! But, everyone seems willing & able to handle the adjustments. Phew!
I really liked the Hearts & Waterlilies Sampler but didn’t want to stitch the full sampler with so many other open projects. So, I selected the bands I liked best & placed them on 18 count Aida bookmark. I love it!
FYI: Stoney Creek is mainly a cross stitch store but not entirely. For example, there are 3 lovely pieces called Faith, Hope, & Love. And, Love (http://store.stoneycreek.com/love-p8646c20.aspx?Thread=True) was taught at the Stitching Jubilee seminar last year in Lancaster, PA and features several stitch techniques including Queen Stitch, Lazy Daisy, Twisted Straight Stitch, Rhodes Heart, Long Armed Cross Stitch Variation, Smyrna and Four-Way Tied. Faith features Long-Armed Cross Stitch, Smyrna, Rococo Variation, Four-Way Tied, Rhodes Butterfly, Long Tail Daisy Stitch and Star Stitch Variation. And, Hope features Leaf Stitch, Vaulting Fan Stitch, Large Angel Stitch and Star Stitch.” Thanks again Stoney Creek!
Nothing says Thanksgiving like a turkey. So, I kept the design but used some large Gobelin stitches at different angles to create depth. And, to work up quicker than all cross stitches! For the main body, I went browner on the threads.
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