Filed under: ANG Needle Pointer's Article, ANG Needle Pointer's Timeless Treasures From the Archives
Pat Mazu offered Needle Pointers (NP) a stocking design done with her take on Trianglepoint after rereading Sherlee Lantz’s book of the same name. It’s in the November/December issue along with an article by Patty W, the editor of NP reviewing the book and a pattern I stitched from the book.
I selected Persian Carpets Knots because of the 3D effect it creates and it was described as a “mysteriously interesting pattern”. It was a bit challenging especially the compensation. This grid helped keep me on track.
Here is is stitched.
And, placed onto a tissue box for the bathroom (with a vinyl cover held in place by double stitch tape).
Luckily, there was one article/project in a past issue featuring Trianglepoint by Nancy Perry that allowed me to include that. So, it makes for a lovely, coordinated splash on Trianglepoint in this issue of Needle Pointers!
You are missing out on some great information if you’re not a member of ANG, the American Needlepoint Guild (needlepoint.org). It’s easy to join. There are many free designs exclusively available to members.
The Needlework and Fiber Guild of Media met last night and we all really enjoyed making these icicles. Although not a fiber project, Kristen picked a lovely project to lead. We each got three kits if we wanted. The materials came from Solid Oak Inc and the instructions for these crystal/gold icicles are clear and easy to follow. There are 4 patterns you can follow. Six bead types were provided. Each one took about 10 minutes to create as advertised on their website which has lots of cute projects. I didn’t explore long enough to find something else I had to try!
Each ornament was individually kitted by Kristen with assistance from her husband to cut wires. I look forward to having them join my other icicle themed ornaments.
I decided to work on Walk in the Woods by Deborah Mitek for a bit. It was the first of the three ANG Seminar classes I took in New Orleans.
It’s on Congress Cloth and has a photo transfer that we’re embellishing. Not everything gets covered. Her husband took the photo of ironwood a few years ago.
Her kits are so organized and clearly marked. We got plenty of needles. Partial skeins help keep kit costs down. That takes some time but makes following her instructions even easier!
Deborah has excellent instructions and I started at the beginning by finishing the border and the background fern-like grasses and wooded stems.
Now that I’ve added the stems of the ironweed and seed pods, I can tackle the ribbonwork!
There is so much going on that you can barely see where it is stitched in the photos. It’s visible up close and under my light. The ribbons will pop.
Filed under: Daisy Delight Box with Mary Alice Sinton, Embroidery Guild of America, Fauquier County Chapter
Since the Daisy Delight Box by Mary Alice Sinton was working up so quickly and was such fun to watch develop, I kept on going.
Here’s the background done.
And, finishing was easy enough as the lid is padded and pops out of the box top. I did an inner (not pictured) and outer running stitch (seen in the upper right and lower left corners) to gather the fabric underneath. A little lacing to really secure it. Then, it popped right into the lid with the beaded circle falling in exactly the correct place around the lid. No glue needed.
Love it!!
Peace is the third in The Cabochons series by Susan Portra. It’s on a light pink canvas but the blue and purple save it from being too pink.
I forgot to get a photo of the threads first. So, you see the Rhapsody boxes.
Our ANG Main Line Stitchers chapter Stitch-in was Saturday at Fireside Stitchery. There were 3 men stitching and not either of the 2 guys from our chapter!
Linda and I searched for red threads for Bring the Joy Santa that is a painted canvas the chapter is working on. Then, I started looking for threads for a counted project we’ll be starting in March but couldn’t decide on anything. Then, I got to stitch the Fyre Werks into Peace which was easy enough.
Shortly after I got to the blue tent stitches, I realized that the basted border wasn’t going to hold the entire design as charted. I had to move the motif down by restitching the basted border. Luckily, I had enough canvas to move the border up 6 canvas threads. By then, it was about time to head home anyway. Four hours flew by!
Here’s the rebasted border and my progress.
Counting the tent stitch blue border requires more concentration than a Stitch-In allows with our conversation and distractions of lovely painted canvases and walls of threads!
Filed under: Daisy Delight Box with Mary Alice Sinton, Embroidery Guild of America, Fauquier County Chapter
After saying that I needed to lighten up on the beads, I didn’t. The blue/white and white/red in the right are loaded!
The pointed tip thin petal pink/white flower is less believe it or not. You can see fabric showing through the beads on the petals. The center is supposed to be padded. The white and the contrast to the skinny petals makes it looks bigger.
I like the flowers looking like they are in full bloom. So, only the pointed tip thin petals flowers are lighter.
Since this is working up quickly and is such fun to watch bloom, I am going all the way to completion.
Next up is background and finishing.
Filed under: Embroidery Guild of America, Mid-Atlantic Region, Nature's Palette THaP - Catherine Jordan
Catherine Jordan led Nature’s Palette a few years ago at an EGA Mid-Atlantic Region meeting (https://melitastitches4fun.com/2022/09/17/thap-class-blackwork-on-natures-palette/). Catherine let us take extra leaves she had painted (acrylic paints). When I went to the two Guilds (I was so busy there are no pictures from either class), I had more fun painting the leaves than stitching them (https://melitastitches4fun.com/2022/11/02/painted-magnolia-leaves/). Catherine had given us a reversible blackwork pattern that was way above my pay grade.
Finally, I finished my second leaf which is just a grid and the third leaf has one small motif used in the first leaf.
It does make me happy to finish this. I glued (E6000) wooden dowels onto the back of each leaf and placed them in a vase for fall decor.
Filed under: Daisy Delight Box with Mary Alice Sinton, Embroidery Guild of America, Fauquier County Chapter
It’s not a race! That what Mary Alice Sinton told us when she showed the progress on another student’s Daisy Delight Box during the afternoon session. Good thing because I felt like I was all thumbs in the morning especially using the Koma but I think what I did by the end of class looks good. I understand how to use the Koma and just need to focus.
Mary Alice’s critique was that I don’t need to cram the beads together to cover all the fabric. So, I will continue on these flowers as I started but will adjust going forward.
First, I needed to finish the border of black tri-cut beads. I do love the Koma for couching beads! It took some practice and getting used it but as I neared the end, I would have liked to have more to do! The flowers don’t need the Koma.
Filed under: Daisy Delight Box with Mary Alice Sinton, Embroidery Guild of America, Fauquier County Chapter
Monday’s Zoom class (10 am – 5 pm) is Daisy Delight Box with Mary Alice Sinton sponsored by the EGA Fauquier County Chapter. It’s been awhile since doing an all day Zoom class but it looks like it’s going to be fun. This was not one of my 2025 goals but I wanted to try this entry-level piece of Japanese Bead Embroidery and there is nobody better to teach it than Mary Alice.
Ample materials have been supplied. The satin round box is also called a Minaudiere. The lovely floral 100% cotton fabric is called Flowers Aplenty by Michel Miller. The beads are a variety of Tri-cut and Seed beads (looks like way too many for the 3″ diameter round top). There are 2 sizes of Japanese needles (really tiny things-no extras-so I must not lose them), needle threader (a must have), and Gutermann threads. I’m guessing the brown felt is a mini bead tray (under the 2 spools of thread). I purchased (extra) the Japanese Beading Koma made by her husband John (wooden spool with a black band wrapped around it tightly) although Mary Alice will teach the class in a manner that doesn’t require using it since the sponsoring chapter wanted to keep costs down. But, I want to give it a try.
Not having Joann’s anymore or quilt shops near me has me relying on Michael’s but their online inventory let me down for silk pins. The silk pins are supposed to be very fine so as not to leave holes in the fabric when pinning through it. So, I ordered these on Friday and had them on Sunday. These are extra fine at 0.4 mm and I like the comfort grip feature. Cute storage case too.
I don’t have an awl or a real Tekobari tool but I was able to find my BEST Laying Tool (in my 3rd tool tote not counting my travel tool kit). Inquiring minds might ask why 3? Stuff I use very often, is in a bag within arm’s reach next to my stitching chair. Stuff I need often enough is a short walk away from my stitching chair in a lovely tool tote that Linda made. And, stuff I rarely use is my 3rd tool tote in the basement. I prefer my fancy trolley tool for laying threads at home and the standard Trolley Tool for travel. My fancy laying tool is not even in one those totes just mentioned. That is in my Ort Box with a Twist which is next to a large coffee cup (thanks again Linda) on the top of the table within arm’s reach of my stitching chair! My happy place.
I’ve read the directions several times, placed the fabric on Evertites (very taut), placed my Texas Lone Star needle minder on the frame, and am ready for class! Mary Alice has such clear instructions that I’m resisting the urge to baste the outline and create the border using the Vertical Horizontal Technique.
I finally decided what to do with Floral Fantasy, a small (4″ square) painted canvas by an unknown designer. After placing a buttonhole border around the design DMC Pearl 5 in green DMC 700, I whip stitched a piece of ultrasuede backing to it.
I held the ultrasuede in place with 4 Instant Tacky dots from Aleene’s as recommended by Ellen Johnson of Serendipity during her recent finishing class. Since they are acid and lignin free, I placed them on the back of the needlepoint (one near each corner).
The scary part is always cutting the canvas close to the stitching without cutting the threads. But, I did it. The trick is to squish the edge of the buttonhole towards the design before snipping slowly. Then, after all sides are cut, push it back towards the outside.
After placing 4 more pieces of Aleene’s tacky dots on the back of the ultrasuede in the corners, I attached it to the tissue box for our guest bedroom. I’m not worried about the tacky dots leaving a mark on the ultrasuede since I could easily remove the ultrasuede from the piece and reattach a new backing. Even with all those beads it’s not heavy.
Melitastitches4fun's Blog 