Filed under: Uncategorized
What a surprise – I enjoyed meeting Kim, the designer of the lovely Medusa Sea Jelly ornaments. I mailed my check for the design before I left for Boston. So great to see these in person!
Others stitched it in different colors. All great.
You can still get the instructions and more info about the September 23 Zoom class from Kim:
This design is being sold to raise funds to sponsor the exhibit, Shoreline Stitchers Showcase, held every two years. Since COVID the cost has escalated to $11,000-12,000 every exhibit. It seems like an excellent way to share our work—even if it is on the wrong side of the country (in CA).
Information about our Sponsorships and Donations are available on our website
http://needleartistsbythesea.org/shorelinesstitchers.htm
Hope you will help us!
Please let your chapters and others know about our events and sponsorships
Regards,
Kim G
Needle Artists by the Sea (NAS) chapter President
Shoreline Stitchers Showcase Manager and Fundraiser Chair
Filed under: Embroidery Guild of America, Pomegranate Heart by Melissa Sherbring, Seminar 2023 - Boston, Understanding Color Relationships: Luster and Luminosity with Patricia Goaley
My second class, a two-day class, was Understanding Color Relationships: Luster and Luminosity with Patricia Goaley.
Class description from EGA’s website: Using simple forms, we will experiment with advanced color relationships using various colors of number 8 pearl cotton and 18 count canvas and 28 count overdyed linen. This low stress class will play with luminosity and luster over 2 days. If you have overdyed linen that you are at a loss how to use, bring it and look at the future possibilities. There will be some choice in color chosen for fibers and foundation materials. Tricks will be discussed for improving overall appearance of your needlework and increasing the intensity of the color relationships.
I looked up the definition for luster. It is a gentle sheen or soft glow, especially that of a partly reflective surface. And, luminosity is the relative brightness of something.
Learning more about color and low stress sounded good!
In our first day, we made our own grayscale and hue color chart.
We added value with color (red example below) and density of stitches (green example below).
Then, we stitched to watch the interaction of color as you add each color.
The luminosity is created with the lightest values and the luster will appear as reflected light becoming more evident when a significant value difference is incorporated. Because I am working on the gray canvas, I added a black border to make it pop (after dinner and a delicious Espresso Martini). This isn’t fully stitched yet. Does the bottom one look a little washed out compared to the one with the back border?
Thanks to the other students who pitched in to distribute Day 2 class materials. Lots of stuff!
These were my morning paintings – masterpieces! We went from black and white to color. We had QTips and paint brushes to play with. I could have done this all afternoon.
But, it was time to move onto weaving. Look at this teeny, tiny loom! The fork was used to push down the threads.
This was my afternoon’s weaving project. At one point, Pat mentioned that you can stitch on the weave you produce. So, I am going to trash this and restart it. My tension got tighter in the middle which is the same thing that happened to me with the larger loom.
Working on linen as described in the class description would have been nice but getting to weave again was fun and let me learn that Surface embroidery could be combined with weaving. A fun mixed media project. I’m thinking about what to do!
Pat gave me an entirely unexpected gift bag for being Class Angel. The Bohin needlecase has 40 different needles in a variety of sizes. Orange is my favorite flavor of hard candy. And, can always use a notebook.
Filed under: Embroidery Guild of America, Pomegranate Heart by Melissa Sherbring, Seminar 2023 - Boston
Pomegranate Heart by Melissa Sherbring is a 3″ x 3″ heart surrounds a pomegranate and is worked in three late 16th / early 17th century English embroidery stitches including a copper-colored, bumpy-textured Corded Larks Head filling stitch [a.k.a. Up and Down Buttonhole with Straight Stitch Return]. The remaining areas – rind, calyx, crown, attachment circlworked in three late 16th / early 17th century English embroidery stitches, and surrounding heart – are worked with gold passing thread in variations of Ceylon stitch. Outlines are worked in Stem stitch in cotton, both over the linen ground and over the rungs of Ceylon stitch. The background is a Woven Laidwork design in silver passing thread.
That is the description from the EGA website. The only part I understood before class in that description is Stem stitch which I didn’t get to anyway!
It’s a lovely piece and I thought learning 3 new stitches for a one-day class was reasonable. The time goes by so quickly. And, it did and it was paced well.
In the morning session, I did the four samples (bottom using red and yellow braiding cord) and the stitched part on linen is using gold passing thread for the Ceylon/Ladder stitch. Tricky getting tension even. I am glad I brought my magnifying clip-on light. Very helpful.
In the afternoon, I practiced the Lark’s Head Filling, Offset (top stitched sample in the next photo) using the yellow braiding cord. My sample shows a half-hitch on the right side but not the left side. The Woven Laidwork (bottom stitched sample) was a breeze. I didn’t worry about tension – so, it doesn’t look pretty.
Then, I read through the instructions and inquired more about how she transferred the design. To my surprise, her design is stamped! She uploaded an image to rubberstamps.com and used an ink pad. For $5, she had the stamp. That might be fun to try for my EGA Brandywine chapter.
With the last 45 minutes she had us stitch the raised Stem stitch with a single strand of green DMC floss. I know it’s not a race but the one woman next to me might be done tonight (I am exaggerating) and the woman on my other side didn’t get off the plastic canvas!
This year we, my husband and I, are in Boston for the EGA Seminar. We traveled by Amtrak from 30th Street Station to South Station in Boston. Nice way to travel.
We explored around the hotel yesterday and the trolley tour today gave Bill options to fill the next 3 days while I’m in class.
I’m taking Pomegranate Heart (3″x3″), a one-day class with Melissa Sherbring worked in three late 16th / early 17th century English embroidery stitches that I’ve not used before. More on that later.
My second class, a two-day class, is Understanding Color Relationships: Luster and Luminosity with Patricia Goaley. Lecture with some sort of stitching project.
EGA has very nice name tag holders. I’m still using the one from Chicago because it holds both my EGA and ANG name tags. The swag bag is a reusable project bag.
Filed under: 50th Anniversary Flower Round by Danji, Other People's Designs
Since the ANG 50th Anniversary was exceptionally special for me because my Crescent Journey was announced as the 2023 ANG Stitch of the Month, I purchased this canvas and stitch guide by Sundance Beads from The West while I was at the Tucson Seminar. We discussed the stitch guide for this at our last monthly ANG Main Line Stitchers meeting.
I’d seen this stitched on a presentation they gave (their talk is free if you’re looking for a Zoom presentation for your chapter/guild). The stitch guide came along with the canvas (Danji: CH-639). I purchased the threads and beads at Edwardian Needle in April.
This was going to be my round ornament for a finishing class in October with Kelly Starke hosted by NJ Needle Artists but I’ve got round down pretty good. So, I will take only the irregular shaped class. I digress.
I added 1/4″ of basketweave around the outside so the decorative portions of the design would be seen after finishing.
Using heat to press back the tabs worked well enough (a Kelly tip) but I wanted them securely in place so I laced each tab to the Craf-tex (cut slightly smaller than the stitched piece). I could have folded back more (which is what Kelly does on her YouTube video) than I did but I like the gold edge showing.
The fabric for the back is actually the back of a small fabric swatch that I’d won at a Valley Forge Quilt Show raffle and held in place by Scotch Tape Runner, a double-sided tape, on Magazine Board (a Brenda C tip) instead of a second piece of Craf-tex. I’d cut the template the same size as the stitched piece but by turning back the edge around the Craf-tex, the back ended being slightly larger than the ornament. That turned out to be great. I was able to attach the cord along that width by grabbing a little fabric, going through the Craf-tex towards the front, going through the cord towards the back, going through the fabric, going through the Craf-tex towards the front, etc – all the way around. I used invisible thread again which is more difficult to work with but it wasn’t terrible.
Silk Lame Braid for 13 count was used for the cording and is color matched to the gold previously used. I used the Kreinik cord maker, assisted by my husband, and really twisted this time. Better.
The loop started off center (not on purpose) and there was no going back and starting all over again! So, I extended the cord along the ornament edge to where it would hang straight. Another happy accident. I like that look. For a larger size ornament (4″), I finished late in the evening but I did finish 2 ornaments in one day. This may be my best one yet!
Filed under: ANG Main Line Stitchers Chapter, ANG Stitch of the Month, 2011
Between needing the bars for the upcoming EGA Seminar, getting the proper color DMC for cording, and having a free day (thanks to a PGA golf tournament), I was able to do the finishing for the individual motif from Flowers of Italy by Ro Pace, an ANG Stitch of the Month from 2011.
Using the same colored DMC floss as the tent stitch to cinch the 2 sides together.
Heather is leading this piece starting in September. The original was done on Congress Cloth but I will do them on 18 count canvas. I’ll probably do four of them as a unit and the rest as individual ones.
The finishing of the waffle went faster than usual. I stitched 3 rows of tent stitch around the motif. I laced the sides down over a piece of Craf-tex (thanks to to surplus from Linda’s Boutique). I cut the corners a tad to decrease bulk.
I used Scotch Tape Runner, a double-sided tape to hold the backing in place on a second piece of Craf-tex.
The cording was a double cording of matching DMC Perle #3 (thanks to Nanda for picking it up for me).
Again, using the matching colored DMC floss I attached the cording. Perhaps using a thread I can see (as opposed to Sulky invisible thread) made things easier. Or, perhaps that both sides were together before attaching the cording helped decrease the complexity of stitching.
I was worried that the laid threads would get messed up with all that handling but a little careful adjustment fixed a couple of strands that were askew.
Thanks to a rain delay for the golf game, I will work on another ornament!
Filed under: ANG Stitch of the Month, 2011
My ANG Main Line Stitchers is gearing up the next counted project. We usually have 2 pieces working because not every project appeals to everyone.
Heather will be leading Flowers of Italy by Ro Pace, the 2011 Stitch of the Month. It’s one I kept looking at but have been intimidated by some of the diagrams. She’s got a camera at home to demonstrate the stitches over Zoom at our meetings. I’m looking forward to seeing the technology utilized. I’ve only seen a camera used by a teacher a couple of times.
The original design was done on Congress Cloth and that’s what Heather did. So, I stitched the Waffle Stitch on 18 count canvas. I used 4 strands where 2 are used on Congress Cloth. It’s about 2.5″ and will make a cute ornament. More practice finishing! I think I’ll stitch a couple of rows around the outside before finishing it. I don’t want to mess up the laid threads.
There are 12 motifs in all. I might do 4 motifs in a larger diamond arrangement for framing. We’ll see what happens as we progress.
Directions are free for previous Stitch of the Month pieces to all members of ANG.
I had to get both the silk paints and Resist for painting on silk! This stencil of a rose has been in a drawer for years and finally used it! This used the Serti technique which requires clearly defined areas for the paint. Serti means “closed fence”.
The silk habotai I found online was too big. I needed a quarter of the piece. I figured having the extra pieces will be useful if my first attempt doesn’t go well.
After tracing the rose, I applied the Resist and let it dry. I forgot to wash it off but otherwise, I did fine with the second painting exercise. There is a lot of paint left over because a few drops of paint just absorbed to the lines of Resist.
I have to use interfacing behind the silk because the silk is so thin. Laura gave me ideas for stitching this one too.
Laura Smith was kind enough to offer an extention on her EGA class, Draw and Paint.
I thought too much white (“snow”) came through on the canvas for my fish tank but I sent her a photo and she says it’s good after cleaning up around the edges of the fish. The rest is shading and will be covered by stitching.
This design is one I did years ago in the shape of a fishbowl on white plastic canvas. The plastic canvas made finishing easier because you could cut up to the edge without worrying about fraying. Yes, that’s a frog pin attached to the canvas which I’ve had since I was a child – his legs move!
It’s a design that I wanted to try again and to make it a little larger now that I am more experienced. This is also different from the first because I painted the canvas. Since I painted the water blue, I decided to change the blue fish to an orange one.
Laura said “Your painting is beautifully nuanced, yet not overcomplicated.” And, that the consistency of the paint mixture was good, no filled holes, and the color choices were excellent. Laura provided stitching ideas that are general. She suggested a few different things that I’ll have to think about.
I tried using the brushes I had but finally emailed her for suggestions on specific sizes and styles of brushes. I got a small set of Hogs Hair flat and round brushes and tested them out on this small scrap. I changed from light blue to dark blue as I moved downward. I love how my practice sky turned out.
I also reinforced that painted canvases are expensive for a reason – it’s not easy or a quick process.
Filed under: ANG Needle Pointer's Article, ANG Needle Pointer's Timeless Treasures From the Archives, Diamond Bargello Flags
It’s always a thrill to see my designs on the cover! Sometimes I just feel like playing with patterns on my computer. This particular time I was exploring the movement of Bargello patterns which is the focus of this small stitching project, Diamond Bargello Flags. I did the finishing myself. Even if you don’t stitch the project, there are also tips from Liz Morrow, thanks to Rinda Just who keeps her designs available online.
You can also see that Timeless Treasures From the Archives is a feature article in this issue. It launches a series of articles that I will continue in upcoming issues. I look through the archived issues focusing on educational articles that stand the test of time. This issue finds Nanette Costa reviewing the basics of needlepoint in a series of articles. Hopefully, members of ANG enjoy and learn from our past members.
Melitastitches4fun's Blog 