Melitastitches4fun's Blog


ANG Stitch of the Month 2008, Circles by Lois Kershner
October 6, 2022, 7:44 pm
Filed under: ANG Main Line Stitchers Chapter, ANG Stitch of the Month, 2008

My ANG Main Line Stitchers chapter has started Circles by Lois Kershner, the ANG 2008 Stitch of the Month. It is one of 2 counted projects for the year. We have more members than ever (35 and 18-20 show up in person and on Zoom). So, we (the chapter Board) thought that a couple of projects would be needed to appeal to more members. We have 9 people working on Circles and 10 on the other piece which will be the subject of another post. And 5 people are working on both (yes, I am one of the 5). So, we have 14 people participating in ongoing projects which is quite good. We have a third ready to start in a few months.

It’s great that alternate colorways are shown for Circles. I am using blues although not the ones listed in the Material List for the original colorway. I have a whole pack of threads of Chameleon, Shades of Africa, Two Oceans which consists of 5 skeins from light to dark and each overdyed that I picked it up at Half Moon Handwerks in Camp Hill, PA. They have lovely fabrics and some needlepoint supplies. I thought about using these for another project but I don’t like laying these threads because they are too slippery. They are such pretty colors but I don’t like fighting with the threads. However, ironing them helps some and I will use them for this project and be done with them!

Lois recommends painting some areas of the canvas. I already had 2 blue Copic markers and picked up 2 more darker blues. I tried “stitch painting” the 4-way Bargello pattern but I didn’t get it exactly correct – close enough anyway!

The circular Rhodes would not fit within the 7″ circle based on the template provided. So, I studied the other stitched samples. The Mango Sorbet kept the same size and placed it directly under 4-way Bargello, the Creamy Peach seems to have shifted a few elements, and several did not stitch it at all. I can’t understand how Lois got the larger one to fit with the template she provided. But, no worries! I adjusted it to a smaller circular Rhodes which is 5 wide and not 7 wide on each edge. With this smaller version, you would drop down 12 not 16 from the bottom center edge of the 4-way Bargello to start at the number 1 stitch. That still allows it to be offset which I prefer. 

The project and threads fit perfectly in a bag made by Linda from a blue fabric with circles in it! How perfect!?! I’ve got the ANG needle minder with blue in it too.



Finishing the Heart Ornaments

It took about 2 months to get back to finishing the other 2 Bargello ornaments from Hearts of Gold by Michele Roberts (an ANG Correspondence Course). It’s available under Distance Learning on ANG ‘s website. Michele’s are all done using only 4 gold threads so they are all color coordinated. Mine are all different colorways for seasonal display. Tedious work but I completed the finishing on them! This time I used a binding stitch.

I had pulled out my Kreinik Custom Corder. It’s loose but ok for the hanger. Since my threads were already cut, they weren’t long enough to go around the whole heart. Step 1 is to interlock the 2 threads. Step 2 is wind. Maybe I didn’t twist enough?

Step 3 is to remove from cord maker, bring both ends together, and allow them to twist together. It was tighter initially but then loosened during that process. Since even 2 lengths weren’t working, I abandoned the cord maker.

There was still a decent gap between the back and front due to a 5 mm soft foam core that I used. So, I went with a “binding” stitch and it took way longer than I am sure a professional finisher would take to do it. Bending the monocanvas back results in a less than desirable rounded shape. But, that stitch covered the gap and turned it back into a smooth heart shape. I prefer stitching over finishing but am happy with these.



Flutterby and Pansy Stand

It’s been awhile with the finisher but worth the wait. The Mauve Pansy that I stitched for the EGA class Rings on Her Fingers designed by Allison Cole and taught by Kay Stanisis has Flutterby flying around it which is designed by Kurdy Biggs from ANG’s 2017 Chapter Project Book. There is an iridescent yellow lamé behind the canvas and an acrylic stand is inserted from the bottom.



THaP class, Blackwork on Nature’s Palette

The 2022 fall Take Home a Project (THaP) class, Blackwork on Nature’s Palette by Catherine Jordan, was today across the bridge in Mt. Laurel, NJ.

It was a full class and my first attempts were not good. I’d only done one small square of Blackwork quite some time ago. I was getting nowhere and finally asked Catherine what was I doing wrong. It turns out I was trying to do this on the diagonal. So, I grabbed a new Magnolia leaf (she brought extras – I actually will do 3 of these). The second leaf went easier on the front but it is not reversible. The lady bug is a cute embellishment. I will try the diagonal one again and a reversible one.

They were painted beautifully with acrylic paints. I grabbed about a half dozen green ones because I will offer to teach this to the Brandywine chapter. That’s the purpose of THaP. It’s like the ANG Chapter Project Book.

I taught the Overdyed Spools to the group last year and several of them commented on how their chapter members enjoyed it and several chapters have it scheduled for 2022 and 2023.



Overdyed Spools, An EGA Petite Project

Overdyed Spools was released today as an EGA Petite Project (https://egausa.org/new-petite-project-overdyed-spools/)! I taught it at the Mid-Atlantic Region (MAR) Fall meeting in October 2021 and since then, at least 6 chapters have or will be teaching it to members. I have been getting photos by text and email showing me another one finished periodically – so cool. A couple of people changed the stitch to have the color flow differently which was wonderful. And, the center changed to 3 larger geometric shapes – so original.

Then, thanks to Jana (dual member) from the EGA Great Lakes Region (GLR) for asking if that region could share the design with chapters. Since ANG has the project in the 2017 Chapter Project Book (still available), I figured that maybe EGA would be able to share it through their Petite Projects which are smaller projects also intended to be used by chapters and/or regions as scheduled programs. Since I created diagrams for the Petite Projects, Favorite Medallion #1 and Technique Basics, working with Carole and Harriet, I knew who to contact. And, it was quickly accepted.

This is my newest colorway which is the one I used for demonstration for class and finished afterwards. You may have seen it at the EGA Seminar in NYC this summer as a “Coming Soon” piece – it’s here now!



Lady Sybil
September 6, 2022, 7:32 pm
Filed under: Lady Sybil

This is one of my favorite outfits from Downton Abbey and I wanted Sybil to join the family of pieces designed by Gay Ann Rogers based on other Downton Abbey photos. So, I designed this after stitching Gay Ann’s other 4 designs. Thanks to Gay Ann for her inspiring pieces.

The harem pant outfit is a Paul Poiret inspired costume. The design features 3 nested Jessicas, wrapped sheafs, and padded crescents.



Canvas Master Craftsman Program, Step 5

Step 5 of the EGA Master Craftsman Canvas 3 had to include 2 appliques (canvas to canvas and at least one had to be irregularly shaped). It had to be 10″ x 14″.

The wings were stitched on 24 count Congress Cloth and applied to 18 count canvas. These are the practice wings. In a nutshell, Step 1 is to pull threads out to the stitched piece (in progress in left photo). Step 2 buries some threads on the back of the applique (right photo). The rest of the threads are pulled to the back and buried in the surrounding stitched area. It is time consuming.

I started this piece shortly after seeing the article Tale of Two Stitchers in the Needle Pointers magazine (Mar/Apr 2021) regarding 2 painted canvases of owls “Who Gives a Hoot”. At first I was going to make the round eyes the applique until I realized that a circle is not irregular! So, I switched to making the wings the appliques which actually made better sense since they should be in front of the body anyway. I would have padded it but the instructions didn’t say you could but it is allowed. They have changed their instructions to clearly state that padding is allowed.

I had to practice the technique and actually stitched 5 wings trying to get this right. That’s why this step took an extra 6 months. But, the piece passed with distinction. So, it was worth it. Bill likes owls, knew I had worked on it a lot, and thought Night Owl deserved to be framed. So, it was framed before going on display at EGA National Seminar from August 24-28, 2022 in New York City.

I’m glad I waited to post this until I got it back so I could take a new photo. Before my photography class:

After class:



Ginkgo Leaves

Ginkgo Leaves is a Lee canvas (design size 8.5″ x 3.75), BR67. In June, at Cleo’s First Tuesday Stitch-in at Busy Lizzie, I found a new thread Line that I haven’t seen anywhere else. It is from Gloriana Threads and is Duchess Silk, a hand-dyed thread. Some colors have more subtle changes in the skein than others. The Antique Black is darker than the canvas but that’s ok. And, I will not use Brick after all because I am using some sparkly threads including Kreinik, Silk Lame Braid, or Snow for the edges of the leaves.

I was thinking basketweave for something easy to stitch but discovered that Duchess Silk is too thick. So, I selected various stitches incorporating a little additional sparkle into four of the eight (different from the edges).

My main goal was to find stitch patterns with stitches over 2 or 3 canvas threads that would create a diagonal effect according to the direction of the leaf. They came from Desert Island Vol 1 and 2 by Carole Lake and Michael Boren, Lone Star’s Grab-n-Go Stitches, Needlepoint Dictionary of Stitches by Susan Sturgeon Roberts, and The Needlepoint Book by Jo Ippolito Christensen

Part of this was stitched at yesterday’s Stitch-in with the ANG Main Line Stitchers. We had 5 in person at Buff’s house because the church is working on the floors. Speaking of Buff, she was quite observant by noticing that I was uncharacteristically stitching “in the well”. It is something that I have done when the canvas has too little around the sides of the design because it makes ending threads easier. When do you work “in the well”?



Mesa Triangle with Kathy Rees
August 21, 2022, 10:10 pm
Filed under: ANG Seminar 2022, Mesa Triangle with Kathy Rees

The main reason for taking Mesa Triangle with Kathy Rees was to learn about fabric appliques. I also liked the colors and of course, I enjoy classes with Kathy. The design is 3.5″ x 12″.

As I stitched, I realized that while this is not a symmetrical design, there are components within the design that I am making symmetrical by manipulating the overdyed threads. It is very subtle and you may not notice it but it makes me happy.

The triangles divided by the blue zig zag line on top are the first examples. The 3 across the top match, the two bottom center match, and the two smaller side triangles match.

In the next section below on the right, the nine triangles match as they progress downwards as does the very slightly overdyed tent stitches. I stitched each side down with matching colored threads instead of stitching side to side. I did the same thing for the other nine triangles that appear horizontally further down.

In between those triangles are a band with 3 “windows”. The “panes” are an overdyed thread, Gloriana Mesa Sunset, appropriately enough, which I love. I got the top and bottom panes matching pretty good without actually trying. And, I did get the far left and right vertical panes to match. Then, I shifted the blue down just a tad for the center two vertical panes.

For the bottom panel, the 4 Gloriana Mesa Sunset columns all match, gloriously!

I never expected to get both Seminar pieces done in the 2 weeks since returning. But, I have lots to start including two new ANG Main Line Stitchers chapter projects (these bars may just work for one of them) and my EGA Step 6 Master Craftsman Canvas Program (design, canvas, and threads are ready). I am also looking forward to a class with Catherine Jordan in September and Toni Gerdes in October.



ANG President’s Award Ribbon for A Spring Sampler

Shirley Burns designed all the special award hand-stitched ribbon centers for the ANG 50th Anniversary Seminar Awards and Betsy Smullen stitched the Desert Rose for the President’s Award. I did ask and all the ribbon centers should appear in an upcoming issue of Needle Pointers. All were lovely! Thanks again to all the volunteers who participated to make the whole Seminar a success.