Filed under: ANG Seminar 2025, Flowers Along a Rhode, Melita's Designs, Walk in the Woods with Deborah Mitek
My first class for the ANG 2025 Seminar in New Orleans, LA is Walk in the Woods with Deborah Mitek.
A lovely photo transfer was already on Congress Cloth (Deborah explained her process). A gorgeous array of threads and ribbons greeted us. What a beautiful start to Seminar.
We started off with an easy square leaf stitch for the border.
Next, using a chenille needle proved tricky! I did this twice while stitching the ferns. It’s a good thing I don’t use the sharp needles often.
As usual, it doesn’t look like much is done but this is partly because the ferns blend into the background alot (left side). The stems are showing (also left side).
We watched ribbon demonstrations and will again tomorrow. Then, I suspect I will practice them in the extra wide border she gave us.
We were able to secure a table for our Main Line Stitchers at the Welcome Banquet. Good food and great company! The first award of the evening was the Creative Inspiration Award and I won it with Flowers Along A Rhode. What a surprise and an honor! I will publish my artist statement which explains the inspiration for this stylized garden.
The special ribbons were designed and most of them stitched by Deb D. Lovely!
Filed under: ANG Seminar 2025
While Bill went next door to the Sazerac House for a distillery tour, a wonderfully organized team of 2 ladies from ANG HQ checked us in for Seminar – no waiting. I had forgotten about ordering the tote bag and the water bottles. I love this style of bag and it’s HOT here – need plenty of water. I didn’t need to bring last year’s tote. Oh well!
Two packs of River Silk Ribbon this time! A fantastic magnet and a sundry of other items was provided. I think I will turn the yellow ANG plastic medallion into a magnet when I get home. I have cutable magnetic strips with one sticky side.
I noted my classrooms and browsed the list of 254 attendees (not everyone elects to be listed). I love trying to meet a few new people each year. This year I hope to find Mary G and Diane L! I can look up what classes they are in and at least pop in briefly.
The speaker at the Farewell Gala Banquet should be good. She’s Allie Pleiter, author of a variety of books. One Sharp Stitch was followed by Two Purloined Pillows – A Nimble Needle Mystery, both are a “cozy mystery” which I love and I have not read them yet. Perhaps they will be for sale at Expo! or at the banquet. Allie is a knitter and needlepointer, lives near Charlotte NC.
Bill ran into most of the Main Line Stitchers gang checking in. Glad everyone is arriving safely. I am ready for class tomorrow!
Filed under: Brandywine Chapter, Cross Stitch and Beyond by JoAnne Westerhaus, Embroidery Guild of America
The EGA Mid-Atlantic Region hosted JoAnne Westerhaus at Camp Wannastitch in January 2024 for a Take Home Project (THaP) class. THaP classes are open to the member who will be taking the project back to the chapter as a program. It’s supposed to be inexpensive and easy to teach. And, it allows someone an opportunity to try their hand at teaching.
Sue from my EGA Brandywine Guild attended the Camp Wannastitch class and taught it in March 2025 to Brandywine members. I was away, but Patrick picked up the instructions for me. I decided to use the leftover variegated Heather skeins from other designs from Beautiful Stitches/Ann-Marie Anderson-Mayes. I’ll probably still have a full skein leftover and the solid colors.
JoAnne suggests it can be a needle book, coaster, sampler, or bookmark. I will make it a little differently at 4″ x 4″ when folded rather than 3.5″ x 5″. I’ll add 2 rows to make it longer. To make it wider, I made sure it was divisible by 4. I’m using eggshell Congress Cloth.
I basted along the left side because there needs to be 4 empty rows between each stitched row to reach 4″ x 4″.
The top row is a slanted cross that I can not recall seeing before. The diagonal stitch goes in first and then the upright stitches. About twice as much thread gets used on the upright stitches, so the color shift is quicker.
This was not one of my goals for the year. So, it’ll take a back seat and is good for travel. I stitched one band just to have it ready.
The second band was stitched during a Zoom talk given about making technology work for you as you age such as using Uber, setting reminders to get up and move, grocery/meal delivery services, and alert service if you fall in your home.
The next two bands were both the same and stitched Saturday with ANG Central Jersey Chapter at their May meeting after I demonstrated finishing for a round coaster. For Band 3, I went left to right and right to left with the same thread so the colors do not align as they do in Band 4. I started both trips across Band 4 on the left and started with the color matched other end of the thread. Remember that these skeins are symmetrically dyed. You know how much I love symmetry!! So, both bands are the same stitch but both bands looks different.
I got through some of Band 5 during the business portion of my last EGA Brandywine Guild Quarterly Meeting and finished it later that night.
It’s now August and I joined ANG CJC yesterday for the day to stitch on Band 6. I needed to pick up the kit for Winter Lights by Jennifer Riefenberg who is having 2 Zoom sessions in September. CJC is making it difficult to not add more projects to my list! They have a dozen projects with interest sign up sheets. I’ve already stitched one and do like a couple of the others but I resisted (for now).
The linings are attached. I used white thread to attach the black ultrasuede on the Folding Ort Box which matches the canvas and is not seen from the front. However, it did show on the inside. So, I used a black marker to color the thread. Can you spot the one diagonal row not done yet?
I love the colors with black and the overdyed thread.
For the Ort Box with Pockets, I have a green border, green ultrasuede, and green sewing thread. So, no marker needed.
I’m ready for assembly.
This will make a good travel project (small and no bars). I plan switch between reading and stitching during the 3-hour flight to New Orleans. I have gathered my stuff to take with me. One of Debbie Stiehler’s riffs during her talk at the NAN dinner was on who brings needlepoint to stitch on to an event where you will be taking needlepoint classes. Guilty!
Filed under: Books in My Library, Needlepoint Books, Traditional Silk and Metal Thread Techniques on Canvas by Jane Zimmerman
As the title implies, Jane Zimmerman discusses Traditional Silk and Metal Thread Techniques on Canvas.
I don’t do much goldwork but this goes over enough to answer any questions I might have for that technique.
Even better, Jane provides hundreds of stitch patterns that can be used with any combination of threads. In fact, the 2 projects indicate that Kreinik can be substituted for the gold threads. But, I do have a box of leftover gold threads which I would love to play with but not now since I still have a few more 2025 goals to work on.
Maybe it’s too well known that I was looking for Rhapsody! But, thanks to Kristen and the great Ebay deal she found that I couldn’t pass up, I now have enough Rhapsody to keep making another set of these ornaments in a variety of colorways!
Eventually, I will need more cabochons. I bought more rimsets because some were bent. The 10 mm (also sized 45 ss whatever that means) pointed rimsets in silver were not available so I got them in 40 ss hoping they would work but they do not. So, I will have to find slightly smaller cabochons. But, that should be easier than finding Rhapsody or rimsets!
Luckily, I was able to unbend the existing silver rimsets and got extra gold 10 mm rimsets. I remembered seeing a jewelry tool for enlarging rings and found a pen to substitute allowing me to reshape to round with a little the help of jewelry pliers.
It’s funny that as much as I love overdyed threads I know one woman in my ANG Main Line Stitchers chapter who hates them! On which side of the thread aisle do you gravitate towards? Overdyed or not and can you explain why? I’m intrigued by the combination of colors and seeing how the color shifts.
Filed under: 2025, Flowering Maple with Celeste Chalasani, National Academy of Needlearts (NAN)
The petals on the silk shantung were done the same way as the leaves – long short in 3 colors.
The 3 Calyx were already stitched (https://melitastitches4fun.com/2025/03/18/flowering-maple-with-celeste-chalasani-at-national-needlearts-academy-nan/) and now they’re attached. I cut away as much fabric as possible but it still bunched up on the bottom raising them to 4 mm. More French Knots filled in the gap.
The sepals have been inserted but are not secured until the rest of the petals are placed.
The stumpwork petals are attached and sepals are secure!
I found a lovely little display frame (6″ x 6″), used piece of felt to pad a foam board, attached it with Nickel Tidy Pins by Loops & Threads, folded back the edges, and pinned it to the cushion backing.
Here’s a great shot too.
Goal #17 is DONE. And, I have 2 sets of 12″ Evertites ready for ANG 2025 Seminar classes.
Nights in White Satin by Jennifer Riefenberg had a little pre-work. The tent stitch outlines inner motifs and for the border outline, I chose to do two wide.
This 2-day class is only 3 weeks away! It will be my third class of ANG’s 2025 Seminar consisting of canvaswork stitches – my comfort zone.
Charity is the 2nd in the Cabochon Series by Susan Portra. All designs are based off a Rhapsody, a discontinued Rainbow Gallery thread. This one is R18. This card says, “Try running other yarns thru this.” I ran an overdyed thread thru white Flair for a nice effect in Beautiful Ohio, a technique that I learned from teacher, David McCaskill. It helped me win the ANG Princess Grace Award (https://melitastitches4fun.com/category/melitas-adaptations/ohio-star/).
This card of Rhapsody is too dark but a solid color through a lighter one would be nice to try. Learning/Sharing #1.
I did change to the Diagonal Greek stitch from French Knots that were supposed to go above the 5 diamonds. I found the pattern in Painted Canvas Embellishment by Carole Lake and Michael Boren. The French Knots were supposed to be on every Canvas thread with 5 strands of floss. It seemed to heavy. I used 2 strands for Diagonal Greek (3 strands were still too heavy). It really fits the design and reminds me it’s ok to change a stitch to what you prefer. I’ve heard more than one teacher say that once you purchase their piece, you can do what pleases you. Learning/Sharing #2.
I stitched on Charity last month and this month at our ANG MLS Stitch-in. Although I spent over an hour shopping for threads to fill in the kits for the other designs in the series, I did finally sit and stitch. That’s when I learned from Linda M (who learned it from teacher, Toni Gerdes) that using glue stick on the end of Tiara will control that from splitting apart. And, it really does the trick. Linda and Toni to the rescue! But, I will not seek opportunities to use this thread. I don’t see an advantage to it over other threads not requiring special handling. Learning/Sharing #3.
That leaves the bugle beads and Cabochons to do. Here I got the location of the prongs established and enlarged the holes with a large needle to ensure placement looks consistent. Learning/Sharing #4.
We talked bead trays and at least one person didn’t know that the square sticky bead tray with a cover can rest on the canvas while stitching with the cover bent backwards. Another reason this wasn’t a favorite bead holder was because you can’t turn the canvas over without it falling which I agree is a bother. So, I added a magnet inside the box. Problem solved. Lesson/Sharing #5.
I can’t take time now to do the finishing but I had to finish the bugle beads and attach the cabochons.
The directions show this finished sideways.
I stitched it thinking I’d finish it this way with the center motif looking like a heart.
Then, I solicited opinions from everyone yesterday and my husband today. I think it was unanimous to go this way.
What do you prefer?
There were 4 patterns to use or not as we saw fit for the bottom of the Folding Ort Box by Marilyn Owen. I modified the bargello pattern by adding the short red rows. The color matching is pretty close.
I’ve already used solid red for the inner borders and decided another red border and red binding will not be exciting enough. So, I tied in the Watercolours used on the bottom for the outer borders. Then, for the binding, I will go back to red.
The Ort Box with Pockets also needed to be cut apart, edges folded back, and lots of cross stitches for the borders. The holes all have to line up to stitch the borders correctly.
Next up is how to do the lining by August 11, our next ANG Main Line Stitchers Chapter meeting!
Melitastitches4fun's Blog 