Melitastitches4fun's Blog


Bargello Techniques, Section 2

I can’t believe it has been 3 weeks since I stitched enough to blog about it! I put work & all obligations aside today to go to Susan Hoekstra’s New Jersey Needle Fest and had a great time. Thanks to Rona & Mary for asking to put at the same table with me – nice to sit with them again this year.

I had begun my Crescent River there last year & that is finished now. So, I took that & got lots of nice compliments on it. And, Susan showed off the Berlin Cardinal (her design) which I had stitched and had the Nimble Needle finisher do as a pillow. That is the pilot class our chapter did for her so she could be ready to teach it at seminar.

Bargello Techniques was a great project to take because it is a small project & worked in hand (the way I am doing it, section by section) – no need for a stand, etc. ! I had started it before I got there & when I wasn’t walking around looking at all the wonderful projects (another sold out event & that is 120 people), I was stitching this section. Vendors had some pretty things but I have so many WIP or ones I want to start that I resisted buying anything.

When I got home, I kept stitching & finished it (slightly bleary eyed). But, I am thrilled to be able to share Section 2 (adjusted to fit my space). Thanks Liz for saying, “If you don’t come out exactly the same, that’s OK! Just continue your pattern & fill in to the bottom.”

You’ll also see a needle in this picture because Mary gave me one her new favorite needles – an edmar gold-eyed needle – that is smoother to the touch than other needles and slides through the canvas. Very nice needles. But, you may not find any because Mary & especially Rona must have bought the store out! Thanks again for sharing them!

Bargello Techniques, Section 2



Stitch N’ Zip and a Tapestry
April 5, 2014, 8:33 pm
Filed under: Other People's Designs, Stitch N' Zip

I am using Hyla’s High Cotton thread for the Stitch N’ Zip purse and card case set. I am not separating the threads using the thread as it comes (all 5 threads). I am quite sure I’ll have to line the inside (or get someone to line it).

As you can see, only the white & black parts gone done over our recent 10-day cruise. There was a group of quilters working in a conference room who got a lot done but I wanted to sit outside & it was a tad to breezy – so, I did some stitching but I finally finished a book that I’ve been trying to read.

Bird

While in San Juan, we stopped at El Convento for dinner (converted convent into restaurant and hotel) & I saw the only piece of needlepoint on the trip! Interestingly, the wreck of Columbus’s Santa Maria is off the first island we stopped at which was Haiti. So, this was a rather appropriate design for the trip. I enjoyed our BOSS Underwater Adventure (google it!) while at St Thomas which made this stop one of the best. St. Maarten was interesting because they have a Dutch and French side of the country. No needlepoint stores on any island but lots of souvenir and jewelry stores! Here is the large wall tapestry hanging in El Convento in San Juan.

Tapestry



Woodlawn Roadtrip 2014
March 14, 2014, 9:47 pm
Filed under: General comments, Gift Tags, Woodlawn Needlework Exhibition

Woodland’s 51st Annual Needlework Exhibition featured 500+ pieces which were fantastic (as always). The special exhibit (small but interesting) was “Needlework and the White House: A First Family Tradition”. It touched on the history of the needle arts in the President’s House. There were pieces made by first family members and holiday ornaments displayed that had been in the White House. By the way, this photo (http://www.needlepoint.org/Projects/WH-1995.php) shows the 1995 White House Christmas Stockings that were on display at the 1996 Exhibit at Woodlawn. But, the stocking I saw was from Barbara Bush’s 1991 Christmas tree decorations (bottom right corner of the brochure).

Woodlawn brochure

A few of the items I noted were the fire screen done President Washington’s granddaughter (Nelly as in Nelly’s Needlers) and great-granddaughter, 3D pieces such as a baseball glove, snail, giraffe, and drum from George Bush’s library, and Grace Coolidge’s samplers.

From there, I entered the room filled with pieces done by Junior stitchers which were fantastic with amazingly vibrant colors. I was most taken with Linda who did an original design (524) of a girl’s head with a fan in black work (all black on white fabric). I like bright colors but it made for a very busy room and maybe why I liked the black/white piece – it allowed my eyes to rest!

There were many samplers again including one by Nancy that included details about the life of a doctor relative of hers (516) – a more modern piece. Look for it in the corner of the room across from and diagonal to the stairs. But, it is low enough to read easily once you find it!

Catherine Jordan had several pieces (always a joy to see her work) including 2 book covers (one that looked like a knot garden), an open-work scene with see through layers of several trees, and 2 zentangle pieces (you can see examples on her website – very interesting).

Doreen’s stump work (533) with flowers and bugs leaping off the canvas were great but her surface embroidery (536) was so unique and delicate that Bill and I voted for it as our People’s Choice Award. She had three levels of cloudy shaped fabric mats to feature the design of a balloon basket containing the silhouette of a man and woman with the Eiffel Tower in background. It was stitched on such a fine piece of gauze that the balloon really appeared to be floating. There were even some beads adorning the basket. Only after the docent shined the light on the piece could you see the gauze more easily.

Becky’s Assisi white roses (33) were stunning done with black stitched outlines and a red background.

It always impresses me when people display multiples and large pieces. Ann’s 4 black footstools (451 452 453 454) displayed 3 flower designs and a dog. I doubt she shipped them!

Patricia made unique use of decorative white buttons of various sizes and shapes for the flowers which rested atop white cross stitch stems (310). I have a lot of buttons in various colors, sizes, and shapes that is on my list to use in a piece at some point. So, I was quite inspired by Patricia’s simple yet interesting use of the buttons.

Angela’s miniature Bluebird (610) got a First Place ribbon and reminded me of Carol’s (from TN) bird which won the ANG Princess Grace Award because Angela’s was small and done on a fine gauze too. You can see Carol’s in the July 2012 issue of NeedlePointers.

Thanks to Robin, I enjoyed seeing one of my favorite Charlie Parker designs (408), the cardinal sitting in a birdbath, B-r-r-r-r-rdbath.

Carol Ann did Ribbon Fantasy a Carole Lake design (584) which we considered for a chapter project – it has 7 ribbons each of 3 getting successively longer towards the longest center ribbon. Hers had small framed photos dangling from the end of each one.

Carol’s Solar Flare designed by Ro Pace with white in the center and red on the outer portion done on black canvas with tons of Jean Hilton stitches (22) can be seen in the 2013 ANG Awards Gallery (NeedlePointers Jan 2014 issue). In case you want to see the contrast, you can see Nancy’s Solar Flare on a white canvas in the 2010 ANG Awards Gallery (NeedlePointers Jan 2011).

Pat’s flag (321) done in small squares each with different stitches which reminded me of an ANG piece maybe that was passed around as I recall. I sure do wish I had a better memory at times like this!!

My “Crescent River” (didn’t win a ribbon) was in the same upstairs room as Christine’s (ANG’s current CyberWorkshops Committee Chairman) 2 very large pieces (116, 117) which are geometric designs stitched in similar purples which will no doubt make a stunning display in her home. I don’t know why they weren’t hanging together at Woodlawn – they were close but not next to each other. Despite being in the sunniest room in the house, you really didn’t see the reflective nature of my river until the docent shined the light directly on it. As she said, we will have to display it with a light to shine on it at home too. Kurdi did an original design with Jean Hilton stitches in three sections. There was an amazing amount of detail but I couldn’t see it good enough because it was too high on the wall. And, Eleanor submitted her 2013 ANG Stitch of the Month designed by Debbie Stiehler (850), a geometric pattern, using four-way Florentine stitches done in greens and blues. ANG offers tons of projects going back to the late 1990s even to non-members via http://www.needlepoint.org/Stitch.php – there are still several I would like to stitch!

Ruth had a small abstract design done on an orange background of unknown fabric with beads in the bottom left hand corner and rays radiating out to the upper right hand corner – a very modern design that was small but very interesting (324). It probably qualifies as “fiber art”.

Lots of wonderful stuff was in the Christmas room! John, stitched a Santa’s face that was absolutely amazing because of the very small count fabric and the shading that make it look like a photograph (212). The beautiful Christmas stockings on the mantle seem to be getting bigger and bigger each year. And, Joan made 3 standing Saints, each about 18″ tall on pedestals with 4 inch deep to give them stability (418, 419, 420). And, Laura’s train with the engine, five or six boxcars each lined with inside slots for candy canes, and the caboose was amazing (456). I can’t imagine how much that cost to get done by a finisher. But, a highlight for me personally was the piece Bill spotted first done by Pam which is the same piece that I gave to Dottie with the white trees and snowflakes (372) (https://melitastitches4fun.wordpress.com/2010/02/05/snowflakes/)!

Of interest to me because of our upcoming spring project was Marilyn’s long piece (like a Bell pull but longer and wider) of Chicago’s buildings and in the sky were several logos of the local sports teams.

Lastly, I had to go back to the displays outside the dining room to see the wonderful, very large, 3D butterfly (613) stitched by Lynn (a docent I had met upstairs) who used all silk ribbons. The butterfly must have been raised 2 to 3 inches off the surface – I wish it wasn’t so far back in the room and I can understand they don’t want people touching anything but it is so hard to see that far and get any details. Maybe I will bring binoculars next year!!

I wish I could talk about all the pieces I saw – all are worth talking about – another wonderful show. And, our weather was fantastic last weekend. If you can take the time to go, you’ll love it. We had eaten breakfast and so did not have lunch this year but it must have been good (as usual) because they were packed (as usual).

They have another raffle this year & I picked up some gift tags that were hand stitched by members of Nelly’s Needlers to benefit Woodlawn. It is a great way for a chapter to practice stitches and raise money!

Gift Tags



Bargello Techniques, Sections 6 & 7

I have got 2 of the blocks done. One is a square and the other a rectangle. Both are four-way designs. The rectangle had to be shortened which allowed me to figure out how to fit the design into the space I had available. I think it worked out well. As Liz says, “Be creative! Do your own thing!”

Square 6

Square 7



Berlin Cardinal Flew Home

Thanks to the finisher Nimble Needle uses, my Berlin Work Cardinal has flown home and landed on my couch! It is a lovely job. Look at the corners – no seams.

Remember, this a class you can take at ANG Seminar in Chicago with Susan Hoekstra.

Cardinal pillow front

Cardinal pillow back



Bargello Techniques

There is one more Bargello piece I have been wanting to work on & that is Bargello Techniques by Liz Morrow. It is an ANG Correspondence Course (http://www.needlepoint.org/CorrClasses/classes/bargello-techniques.php) that the CyberPointer’s chapter selected as a project. I am looking forward to learning the techniques behind Bargello which is what Liz describes in her very detailed booklet. It will be a wonderful resource to keep on hand for future projects.

The threads were selected in Arizona during our Christmas vacation while at Old Town Needlework. After seeing Frank Lloyd Wright’s Taliesin West, I decided I wanted to have as close to Cherokee Red in the piece as I could get. So, I selected reds as my main color and went with blues as the contrasting color. I got a light and dark blue in case I want to mix it up a tad. Because, as usual, I am not going to stitch it exactly as pictured. I have a black collage frame that I have been wanting to use. That won’t take up less wall space but will be a different type of finishing than I’ve done before. Black will look good with the reds. I remember reading that you should know where you are going to finish before you begin. Tonight I began my adventure!

I decided on Vineyard Merino (from left to right):
Dark blue/Polo blue #M1210
Medium blue/Gentlemen’s grey #M1209
Darkest red/Sangria #M1135
Dark medium red/Brick red #M1019
Medium red/Quartz #M1017
Light medium red/English rose #M1016
Lightest red/Conch #M1136

Bargello Techniques Threads



Basketweave Direction
February 23, 2014, 9:45 pm
Filed under: General comments

Last week, I happened to read through several old ANG NeedlePointer magazines and found an article on basketweave that explained what direction to stitch. This week, I picked up this piece for some easy stitching and realized that I could figure out the proper place to start. The article said, if you are right-handed, work up the horizontal and down on the vertical. And, I can see that clearly on this piece now!

I must come down on the vertical:

Basketweave



Whip Stitch for Edging
February 21, 2014, 10:08 pm
Filed under: General comments

I  do like finishing some pieces on my own in various ways mainly because I do not have much wall space left. And, one of the stitches I use is the whip stitch to finish the edge without blocking. It works good for small pieces to go in such things as ready-made frames, bookends, or box tops – it doesn’t create a thick edge & won’t ravel. As long as I don’t pull threads too taut, the canvas doesn’t get distorted. But, I still haven’t used the stitch often enough that I have it memorized. So, this is my stitched example that I can pull up anytime to refer to it. I have to work it left to right. And, it is better to start and/or end on an edge – not a corner!

Whip stitch



Circle in a Square
February 20, 2014, 7:29 pm
Filed under: ANG Correspondence Courses, Diamond in a Square by Pat Mazu

I used Jean Hilton’s Stimulating Stitches to put together a matching design to Pat Mazu’s Diamond in a Square which will go into a pair of bookends. Many of Jean Hilton stitches would work fantastic for this thread effect.

The main design in the upper left corner shows 4 plaited rays radiating around the corners which left room for a Jessica circle with Rhodes stitch in the center. And, I was able to fit 3 butterfly double fans into each of the columns.

Circle in a Square



Diamond in A Square
February 7, 2014, 11:41 pm
Filed under: ANG Correspondence Courses, Diamond in a Square by Pat Mazu

I’ve been exploring shading with my ANG chapter and decided I had to take Patricia Mazu’s Diamond in A Square which is being offered through ANG’s Correspondence Courses (http://www.needlepoint.org/CorrClasses/classes/diamond-square.php). Pat describes it perfectly as an adventure in creating an overdyed thread effect.

What I really like is learning how to control the color as it moves through a stitch pattern. I knew that I’d have to do her pattern & then try it on my own design to see if I really understood it. I did have to modify her design slightly to fit into bookends. These make a wonderful opportunity to create a companion piece with my design. The first design is done! And, I’ve begun the next.

Diamond in A Square